Impression of the New York World’s Fair (mural study, Communications Building, World’s Fair, Flushing, New York)

Stuart Davis, Impression of the New York World's Fair (mural study, Communications Building, World's Fair, Flushing, New York), 1938, gouache on paperboard, Smithsonian American Art Museum, Transfer from the United States Information Agency through the General Services Administration, 1995.27
Stuart Davis, Impression of the New York World's Fair (mural study, Communications Building, World's Fair, Flushing, New York), 1938, gouache on paperboard, sheet: 14 3422 18 in. (37.555.9 cm.), Smithsonian American Art Museum, Transfer from the United States Information Agency through the General Services Administration, 1995.27

Artwork Details

Title
Impression of the New York World’s Fair (mural study, Communications Building, World’s Fair, Flushing, New York)
Artist
Commissioner
Harper's Bazaar
Date
1938
Location
Not on view
Dimensions
sheet: 14 3422 18 in. (37.555.9 cm.)
Credit Line
Transfer from the United States Information Agency through the General Services Administration
Mediums
Mediums Description
gouache on paperboard
Classifications
Highlights
Subjects
  • Cityscape — New York — New York
  • Abstract — geometric
Object Number
1995.27

Artwork Description

This work is the only surviving design of the artist’s demolished mural for the Communications Building at the World’s Fair held in Flushing, New York, in 1939. This gouache was originally commissioned by Harper’s Bazaar magazine for its February 1939 issue. Impression of the New York World’s Fair is an interpretation of various architectural elements at the fair, such as the Perisphere and the Trylon, and of stripper Gypsy Rose Lee at center stage.

Graphic Masters II: Highlights from the Smithsonian American Art Museum, 2009

Works by this artist (23 items)

Stuart Davis, Int'l Surface No. 1, 1960, oil on canvas, Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc., 1969.47.55
Int’l Surface No. 1
Date1960
oil on canvas
On view
Stuart Davis, Harbor Landscape (Funnel and Smoke), 1939, lithograph on wove paper, Smithsonian American Art Museum, Transfer from the D.C. Public Library, 2018.5.3
Harbor Landscape (Funnel and Smoke)
Date1939
lithograph on wove paper
Not on view
Stuart Davis, Rue de l'Echaude, 1929, lithograph on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Harry Baum in memory of Edith Gregor Halpert, 1971.318
Rue de l’Echaude
Date1929
lithograph on paper
Not on view

More Artworks from the Collection

Jacob Lawrence, Community (study for mural, Jamaica, NY), 1986, gouache on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1990.36, © 1986, Jacob Lawrence
Community (study for mural, Jamaica, NY)
Date1986
gouache on paper
Not on view
Douglas Brown, Louis Prima's House, New Orleans, 1937, gouache on paper, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.12
Louis Prima’s House, New Orleans
Date1937
gouache on paper
Not on view
Abraham Rattner, Study for the Butcher, 1966, gouache on paper, Smithsonian American Art Museum, Bequest of Abraham Rattner, 1981.153.29
Study for the Butcher
Date1966
gouache on paper
Not on view
David Courlander, Hunters Outfoxed, 1950s, opaque watercolor on canvasboard, Smithsonian American Art Museum, Gift of Mr. and Mrs. Harold Courlander, 1964.22.4
Hunters Outfoxed
Date1950s
opaque watercolor on canvasboard
Not on view