Hako #5

Kay Sekimachi, Hako #5, 1981, woven, folded and pressed linen with straight pins and painted bamboo skewer, 6 1887 34 in. (15.620.319.7 cm), Smithsonian American Art Museum, Gift of Theodore Cohen in memory of his mother and her sisters: Rose Melmon Cohen, Blanche Melmon, Mary Melmon Greenberg and Fanny Melmon Liberman, 1998.122.20, © 1981, Kay Sekimachi

Artwork Details

Title
Hako #5
Date
1981
Location
Not on view
Dimensions
6 1887 34 in. (15.620.319.7 cm)
Copyright
© 1981, Kay Sekimachi
Credit Line
Gift of Theodore Cohen in memory of his mother and her sisters: Rose Melmon Cohen, Blanche Melmon, Mary Melmon Greenberg and Fanny Melmon Liberman
Mediums
Mediums Description
woven, folded and pressed linen with straight pins and painted bamboo skewer
Classifications
Object Number
1998.122.20

Artwork Description

Kay Sekimachi started making small woven boxes in the late 1970s for an exhibition of miniature textiles in England. She first makes a paper model of each box to see how the folds work and if the shape can stand on its own. In Hako #5 and Ikat Box (see 2003.25), she created cubes from natural linen and added detail with black thread and paint. The precise creases and rigid structure evoke origami, the art of folding paper into different shapes, which Sekimachi “just grew up knowing” in her Japanese American home. These elegant boxes also recall Japanese architecture, which focuses on creating peaceful tiny spaces within hectic city environments, and may symbolize Sekimachi’s desire for a private space of her own.

Works by this artist (3 items)

E. McKnight Kauffer, "Nothing is more seductive for man than his freedom of conscience. But nothing is a greater cause of suffering."--Fyodor Dostoevsky, The Brothers Karamazov, 1880. From the series Great Ideas of Western Man., 1953, India ink and gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.139
Nothing is more seductive for man than his freedom of…
Date1953
India ink and gouache on paperboard
Not on view
E. McKnight Kauffer, Montana, from the United States Series, 1946, gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.140
Montana, from the United States Series
Date1946
gouache on paperboard
Not on view
E. McKnight Kauffer, One Integrated Flow of Production, from the Early Series, 1941, photomechanical reproduction on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.141
One Integrated Flow of Production, from the Early Series
Date1941
photomechanical reproduction on paper mounted on paperboard
Not on view

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