Nine Tantric Amulets for Jasper Johns

William Harper, Nine Tantric Amulets for Jasper Johns, 1994, gold cloisonné enamel on fine silver with 24k, 22k, 18k, and 14k gold, pearls, garnet, tourmaline, and peridot, Smithsonian American Art Museum, Gift of Frances and Sydney Lewis, 2002.11, © 1994, William Harper
William Harper, Nine Tantric Amulets for Jasper Johns, 1994, gold cloisonné enamel on fine silver with 24k, 22k, 18k, and 14k gold, pearls, garnet, tourmaline, and peridot, length: 24 in. (61 cm), Smithsonian American Art Museum, Gift of Frances and Sydney Lewis, 2002.11, © 1994, William Harper

Artwork Details

Title
Nine Tantric Amulets for Jasper Johns
Date
1994
Location
Not on view
Dimensions
length: 24 in. (61 cm)
Copyright
© 1994, William Harper
Credit Line
Gift of Frances and Sydney Lewis
Mediums Description
gold cloisonné enamel on fine silver with 24k, 22k, 18k, and 14k gold, pearls, garnet, tourmaline, and peridot
Classifications
Subjects
  • Homage — Johns, Jasper
  • Animal — insect — butterfly
  • Figure — fragment — skull
  • Figure — fragment — hand
Object Number
2002.11

Artwork Description

Artists often borrow from each other, and each time they do they contribute to the deep history of an idea or piece. This necklace is from a series called Jasper’s Variations---a tribute to contemporary painter Jasper Johns. William Harper borrows the crosshatched pattern in the center medallion from Johns’s Between the Clock and the Bed (1981), which itself was inspired by a 1940-42 self-portrait by Edvard Munch with the same title.

The various charms are based on Hindu or Buddhist tantric scriptures, which deal with meditation, sexual techniques, and other rituals. Harper emphasizes the creative bond he feels with Johns by incorporating their names, side by side, in the center of this piece.

Works by this artist (8 items)

Beatrice S. Levy, The Beach, n.d., color aquatint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.188
The Beach
Daten.d.
color aquatint
Not on view
Beatrice S. Levy, The Derelict, 1914, color aquatint on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.187
The Derelict
Date1914
color aquatint on paper
Not on view
Beatrice S. Levy, In Orchestra Hall, n.d., drypoint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.189
In Orchestra Hall
Daten.d.
drypoint
Not on view
Beatrice S. Levy, Rain in the Hills, 1935, etching on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.605
Rain in the Hills
Date1935
etching on paper
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Salvatore Mancini, Narragansett Electric, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.8
Narragansett Electric
Date2000
gelatin silver print
Not on view
Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
Remains of Lock, Millville
Date2000
gelatin silver print
Not on view
Keisha Scarville, Chair, 2001, gelatin silver print, Smithsonian American Art Museum, Gift of the Perkins Center for the Arts, 2002.17, © 2001, Keisha Scarville
Chair
Date2001
gelatin silver print
Not on view
Salvatore Mancini, Eel Fisherman, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.2
Eel Fisherman
Date2000
gelatin silver print
Not on view