Woodpeckers, study folder for book Concealing Coloration in the Animal Kingdom

Abbott Handerson Thayer, Woodpeckers, study folder for book Concealing Coloration in the Animal Kingdom, n.d., various media and collage on paperboard, closed: approx. 129 in. (30.522.9 cm), Smithsonian American Art Museum, Gift of the heirs of Abbott Handerson Thayer, 1950.2.47
Free to use

Artwork Details

Title
Woodpeckers, study folder for book Concealing Coloration in the Animal Kingdom
Artist
Date
n.d.
Location
Not on view
Dimensions
closed: approx. 129 in. (30.522.9 cm)
Credit Line
Gift of the heirs of Abbott Handerson Thayer
Mediums Description
various media and collage on paperboard
Classifications
Subjects
  • Object — written matter
  • Animal — bird — woodpecker
  • Study
Object Number
1950.2.47

Works by this artist (29 items)

Herbert Bayer, (Seven Convolutions, portfolio), 1948, color lithograph, Smithsonian American Art Museum, Gift of Jack Lord, 1971.438.1
(Seven Convolutions, portfolio)
Date1948
color lithograph
Not on view
Herbert Bayer, Waste Paper to Package, from the Early Series, 1942, gouache, pen and ink, crayon, paper, and pencil on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.27
Waste Paper to Package, from the Early Series
Date1942
gouache, pen and ink, crayon, paper, and pencil on paperboard
Not on view
Herbert Bayer, "Reason Is Language, Logos."--Johann Georg Hamann (1730-1738). From the series Great Ideas., 1966, acrylic on prepared fiberboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.16
Reason Is Language, Logos.” – Johann Georg Hamann (1730
Date1966
acrylic on prepared fiberboard
Not on view

More Artworks from the Collection

M. C. ("5 Cents") Jones, Untitled (Black Woman and Flowers), ca. 1990, watercolor, crayon, and ink on posterboard, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.112
Untitled (Black Woman and Flowers)
Dateca. 1990
watercolor, crayon, and ink on posterboard
Not on view
Jane "In Vain" Winkelman, Dreamscape, 1985, crayon and ink on posterboard, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.140
Dreamscape
Date1985
crayon and ink on posterboard
Not on view
Inez Nathaniel-Walker, Woman with Bowl of Flowers, 1974, felt-tipped pen and ink, ballpoint pen and ink, crayon, and pencil on paper, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.190
Woman with Bowl of Flowers
Date1974
felt-tipped pen and ink, ballpoint pen and ink, crayon, and pencil on paper
Not on view
Double Portrait with Bald Man
Date1977
felt-tipped pen and ink, ballpoint pen and ink, crayon, and pencil on paper mounted on brown paperboard
Not on view