Sucker Decoy

Oscar Peterson, Sucker Decoy, ca. 1930s, carved and painted wood, painted galvanized iron sheet, painted ferrous tack eyes, painted lead weights, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.23
Oscar Peterson, Sucker Decoy, ca. 1930s, carved and painted wood, painted galvanized iron sheet, painted ferrous tack eyes, painted lead weights, 29 142 12 in. (5.023.56.2 cm), Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.23

Artwork Details

Title
Sucker Decoy
Date
ca. 1930s
Dimensions
29 142 12 in. (5.023.56.2 cm)
Credit Line
Gift of Alastair B. Martin
Mediums
Mediums Description
carved and painted wood, painted galvanized iron sheet, painted ferrous tack eyes, painted lead weights
Classifications
Subjects
  • Animal — fish
Object Number
1999.67.23

Artwork Description

Carved fish decoys are one of the earliest forms of American folk art. Hunters around the Bering Sea first used small bone or ivory decoys for ice fishing around 1000 AD. They believed that the decoys embodied the innua, or inner spirit of the fish. The practice spread to upstate New York and the Great Lakes, where it became a tourist industry with many communities growing around prime fishing areas. Ice fishing was banned in 1905, however, because the popularity of the sport had brought about a serious decline in large game fish. During the Depression, many hunters and fishermen turned again to fish spearing for survival. The decoys from this period are simpler, focusing on realistic shapes, colors, and movement rather than fanciful decoration (Steven Michaan, American Fish Decoys, 2003).

Works by this artist (3 items)

Dorothy Young Graham, Midnight Still Life, ca.1945, gouache on paperboard, Smithsonian American Art Museum, Gift of Michael J. Ettner, 2021.88.93
Midnight Still Life
Dateca.1945
gouache on paperboard
Not on view
Haunted House #4
Dateca.1945
watercolor on paper
Not on view
Haunted House #4
Dateca.1945
lithograph on paper
Not on view

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Untitled (Black Woman and Flowers)
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Jacob Kainen, Stranger at the Gate, 1958, ink, watercolor and collage on paper, Smithsonian American Art Museum, Gift of Christopher and Alexandra Middendorf, 1991.7.11
Stranger at the Gate
Date1958
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Jacob Kainen, Two Men Crawling, 1959, watercolor on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Jem Hom, 1991.6.27
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Date1959
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Date1974
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