Untitled, from the series The Bitterroot River

Barbara Bosworth, Untitled, from the series The Bitterroot River, 1995-1997, gelatin silver print, Smithsonian American Art Museum, Gift of Haluk and Elisa Soykan, 2008.2.32, © 1995-1997, Barbara Bosworth
Barbara Bosworth, Untitled, from the series The Bitterroot River, 1995-1997, gelatin silver print, 7 589 58 in. (19.424.4 cm), Smithsonian American Art Museum, Gift of Haluk and Elisa Soykan, 2008.2.32, © 1995-1997, Barbara Bosworth

Artwork Details

Title
Untitled, from the series The Bitterroot River
Date
1995-1997
Location
Not on view
Dimensions
7 589 58 in. (19.424.4 cm)
Copyright
© 1995-1997, Barbara Bosworth
Credit Line
Gift of Haluk and Elisa Soykan
Mediums Description
gelatin silver print
Classifications
Subjects
  • Waterscape — river
Object Number
2008.2.32

Artwork Description

The photographs in this series reflect on the intense connection our memory can form between people and place. Drawn from more than one hundred images made along Montana's Bitterroot River in the years following the death of a loved one, Bosworth later assembled them to create this narrative sequence. The solemn tone of the images speaks of resignation and vulnerability as currents and eddies slip along the river surface from one frame to the next only to disappear. But there is also affirmation and hope to be found in these graceful gestures—the arc of a young tree reaching across the river or a fish offered in outstretched hands—and reassurance in the continually renewing surface of the river: "I wanted to hold on to all the life that remained around me, and by securing my world in a photograph I convinced myself it could not totally be taken away."

Earth and Sky: Photographs by Barbara Bosworth exhibition label

Works by this artist (10 items)

Carrie Mae Weems, Lincoln, Lonnie, and Me - A Story in 5 Parts, 2012, video installation and mixed media, color, sound; 18:29 minutes, Smithsonian American Art Museum, Museum purchase through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2023.9A-G, © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Lincoln, Lonnie, and Me — A Story in 5 Parts
Date2012
video installation and mixed media, color, sound; 18:29 minutes
Not on view
Carrie Mae Weems, Suspended Belief, from the series Constructing History, 2008, archival pigment print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2022.48.5, © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Suspended Belief, from the series Constructing History
Date2008
archival pigment print
Not on view
Carrie Mae Weems, A Woman Observes, from the series Constructing History, 2008, archival pigment print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2022.48.1, © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
A Woman Observes, from the series Constructing History
Date2008
archival pigment print
Not on view

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Date2000
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Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
Remains of Lock, Millville
Date2000
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Keisha Scarville, Chair, 2001, gelatin silver print, Smithsonian American Art Museum, Gift of the Perkins Center for the Arts, 2002.17, © 2001, Keisha Scarville
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Date2001
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Salvatore Mancini, Eel Fisherman, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.2
Eel Fisherman
Date2000
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