Pack-Mules in the Mountains, from the portfolio Harper’s Pictorial History of the Civil War (Annotated)

Kara Walker, Pack-Mules in the Mountains, from the portfolio Harper's Pictorial History of the Civil War (Annotated), 2005, offset lithograph and screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2008.19.1.13, © 2005 Kara Walker
Kara Walker, Pack-Mules in the Mountains, from the portfolio Harper's Pictorial History of the Civil War (Annotated), 2005, offset lithograph and screenprint on paper, 5339 in. (134.699.1 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2008.19.1.13, © 2005 Kara Walker

Artwork Details

Title
Pack-Mules in the Mountains, from the portfolio Harper’s Pictorial History of the Civil War (Annotated)
Artist
Printer
LeRoy Neiman Center for Print Studies, Columbia University
Publisher
LeRoy Neiman Center for Print Studies, Columbia University
Date
2005
Location
Not on view
Dimensions
5339 in. (134.699.1 cm)
Copyright
© 2005 Kara Walker
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
offset lithograph and screenprint on paper
Classifications
Subjects
  • Landscape — mountain
  • Animal — mule
  • Figure — head
  • African American
  • History — United States — Civil War
Object Number
2008.19.1.13

Works by this artist (8 items)

John Cage, Not Wanting to Say Anything about Marcel, Lithograph A, 1969, color lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1972.96
Not Wanting to Say Anything about Marcel, Lithograph A
Date1969
color lithograph on paper
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Seven, 1978, color etching with hard ground etching, drypoint, sugar aquatint, photo etching, and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.7
Seven Day Diary (Not Knowing), Day Seven
Date1978
color etching with hard ground etching, drypoint, sugar aquatint, photo etching, and found objects
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Five, 1978, hard and soft ground etching, drypoint, sugar aquatint, photo etching, and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.5
Seven Day Diary (Not Knowing), Day Five
Date1978
hard and soft ground etching, drypoint, sugar aquatint, photo etching, and found objects
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Six, 1978, color etching with hard and soft ground etching, drypoint, sugar aquatint, photo etching and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.6
Seven Day Diary (Not Knowing), Day Six
Date1978
color etching with hard and soft ground etching, drypoint, sugar aquatint, photo etching and found objects
Not on view

More Artworks from the Collection

Al Blaustein, Family and Friends, ca. 1967, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.4
Family and Friends
Dateca. 1967
pen and ink and pencil on paper
Not on view
William H. Johnson, Soldiers Standing with Rifles, ca. 1941-1942, recto: pen and ink and pencil on paper
verso: pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.564R-V
Soldiers Standing with Rifles
Dateca. 1941-1942
recto: pen and ink and pencil on paper verso: pencil on paper
Not on view
William H. Johnson, Storefront Church, ca. 1940-1941, pen and ink and pencil with wash on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.566
Storefront Church
Dateca. 1940-1941
pen and ink and pencil with wash on paper
Not on view
William H. Johnson, Mountains and Blossoming Trees, Norway, ca. 1935-1938, brush and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.127
Mountains and Blossoming Trees, Norway
Dateca. 1935-1938
brush and ink and pencil on paper
Not on view