US Highway 1

Allan D'Arcangelo, US Highway 1, 1962, acrylic on canvas, Smithsonian American Art Museum, Museum purchase made possible by the American Art Forum, 2011.13, © 1962, D'Arcangelo Family Partnership
Allan D'Arcangelo, US Highway 1, 1962, acrylic on canvas, 4855 in. (121.9139.7 cm), Smithsonian American Art Museum, Museum purchase made possible by the American Art Forum, 2011.13, © 1962, D'Arcangelo Family Partnership

Artwork Details

Title
US Highway 1
Date
1962
Location
Not on view
Dimensions
4855 in. (121.9139.7 cm)
Copyright
© 1962, D'Arcangelo Family Partnership
Credit Line
Museum purchase made possible by the American Art Forum
Mediums
Mediums Description
acrylic on canvas
Classifications
Subjects
  • Landscape — road — Highway 1
  • Object — other — sign
Object Number
2011.13

Artwork Description

The quiet melancholy of D'Arcangelo's highway paintings echoes the ambivalence felt by many Americans during the development of the Interstate Highway System in the 1960s. While offering improved speed, safety, and efficiency, the expanded road system replaced the romantic notion of the open road offered by writers like Jack Kerouac with a new reality of monotonous travel across a standardized commercial landscape. In US Highway 1, the road seen through the windshield blends with the surrounding trees as the sky darkens and a hill blocks a longer view. The hypnotic repetition of white road markings and signs that seem to float in the twilight suggest the suspension of time and an indifference to place. With no destination or even exit ramps in sight, the driver is alone, hurtling forward with the motion of the car.

Works by this artist (4 items)

Elsie Motz Lowdon, Uncle William, ca. 1927, watercolor on ivory, Smithsonian American Art Museum, Gift of Alice L. McGowan, 1984.12.4
Uncle William
Dateca. 1927
watercolor on ivory
Not on view
Elsie Motz Lowdon, Perdita, 1915, watercolor on ivory, Smithsonian American Art Museum, Gift of Alice L. McGowan, 1984.12.1
Perdita
Date1915
watercolor on ivory
Not on view
Elsie Motz Lowdon, Marjorie Staiars, 1923, watercolor on ivory, Smithsonian American Art Museum, Gift of Alice L. McGowan, 1984.12.3
Marjorie Staiars
Date1923
watercolor on ivory
Not on view
Elsie Motz Lowdon, Nude with Goldfish, ca. 1916, watercolor on ivory, Smithsonian American Art Museum, Gift of Alice L. McGowan, 1984.12.2
Nude with Goldfish
Dateca. 1916
watercolor on ivory
Not on view

More Artworks from the Collection

My Body Sees You
Date1992
single-channel video, color sound; 05:58 minutes
Not on view
Charlemagne Palestine, Running Outburst, 1975, 5:56 minutes, black & white, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.6, © 1975, Charlemagne Palestine. Courtesy Electronic Arts Intermix, NY
Running Outburst
Date1975
5:56 minutes, black & white, sound
Not on view
Bill Viola, Silent Life from The Reflecting Pool- Collected Work 1977-80, 1979, 13:14 minutes, color, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.16.3, © 1979 Bill Viola. Courtesy Electronic Arts Intermix, NY
Silent Life from The Reflecting Pool- Collected Work 1977 – 80
Date1979
13:14 minutes, color, sound
Not on view
Woody Vasulka, Explanation from Selected Works, 1974, 11:45 minutes, color, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.14.4, © 1974 Woody Vasulka. Courtesy Electronic Arts Intermix, NY
Explanation from Selected Works
Date1974
11:45 minutes, color, sound
Not on view