Curtains and Balcony Bracelet

Joshua DeMonte, Curtains and Balcony Bracelet, 2008, 33% glass-filled polyamide, 675 in. (15.217.812.7 cm), Smithsonian American Art Museum, Gift of Irene and Bob Sinclair, 2013.9, © 2008, Joshua DeMonte

Artwork Details

Title
Curtains and Balcony Bracelet
Date
2008
Location
Not on view
Dimensions
675 in. (15.217.812.7 cm)
Copyright
© 2008, Joshua DeMonte
Credit Line
Gift of Irene and Bob Sinclair
Mediums Description
33% glass-filled polyamide
Classifications
Subjects
  • Architecture — detail — balcony
  • Architecture — detail — window
Object Number
2013.9

Works by this artist (1036 items)

William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view
William H. Johnson, Portrait of a Man, ca. 1935-1938, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.814
Portrait of a Man
Dateca. 1935-1938
oil on burlap
On view
William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, For India and China, ca. 1944-1945, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.662
For India and China
Dateca. 1944-1945
oil on paperboard
On view

Videos

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      In anticipation of the exhibition 40 under 40: Craft Futures, on view at the Renwick Gallery of the Smithsonian American Art Museum from July 20, 2012 -- February 3, 2013, the museum asked the 40 artists featured to share personal videos of themselves with our audience. Here's what Joshua DeMonte submitted—enjoy! Joshua DeMonte Social Media Video, 2012 Digital video, color, sound, 1:27 Courtesy of the artist

      Related Books

      4040_500.jpg
      40 Under 40: Craft Futures
      40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.

      Exhibitions

      Media - 2016.11 - SAAM-2016.11_6 - 124929
      Connections: Contemporary Craft at the Renwick Gallery
      November 13, 2015March 6, 2022
      Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

      More Artworks from the Collection

      Arnold Blanch, Harvest Scene (mural study, Fredonia, New York Post Office), ca. 1937, tempera on illustration board, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.28
      Harvest Scene (mural study, Fredonia, New York Post Office)
      Dateca. 1937
      tempera on illustration board
      Not on view
      William H. Johnson, Seated Woman in Orange Print Dress, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.281
      Seated Woman in Orange Print Dress
      Dateca. 1939-1940
      tempera on paperboard
      Not on view
      William H. Johnson, Seated Female Nude with Gold Necklace and Auburn Hair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.197
      Seated Female Nude with Gold Necklace and Auburn Hair
      Dateca. 1939-1940
      tempera on paperboard
      Not on view