Massimo Plates

Daniel Michalik, Massimo Plates, 2011, high-density recycled cork and low-VOC paint, each: 2 x 11 12 in. (5.129.2 cm) diam., Smithsonian American Art Museum, Gift of Cross MacKenzie Gallery, Washington, DC, 2013.12A-D, © 2011, Daniel Michalik

Artwork Details

Title
Massimo Plates
Date
2011
Location
Not on view
Dimensions
each: 2 x 11 12 in. (5.129.2 cm) diam.
Copyright
© 2011, Daniel Michalik
Credit Line
Gift of Cross MacKenzie Gallery, Washington, DC
Mediums
Mediums Description
high-density recycled cork and low-VOC paint
Classifications
Object Number
2013.12A-D

Works by this artist (162 items)

Chiura Obata, El Capitán, 1931, color woodcut on paper, Smithsonian American Art Museum, Gift of the Obata Family, 2000.76.24, © 1989, Lillian Yuri Kodani
El Capitán
Date1931
color woodcut on paper
Not on view
Chiura Obata, Untitled (Magnolia in a Blue Round Vase), ca.1930s, ink on paper, Smithsonian American Art Museum, Gift of the Estate of Chiura Obata, 2020.74
Untitled (Magnolia in a Blue Round Vase)
Dateca.1930s
ink on paper
Not on view
Chiura Obata, Landslide, 1941, watercolor on paper, Smithsonian American Art Museum, Gift of the Estate of Chiura Obata, 2020.72.2
Landslide
Date1941
watercolor on paper
Not on view
Chiura Obata, Topaz, ca. 1942, pencil on paper, Smithsonian American Art Museum, Gift of the Estate of Chiura Obata, 2020.72.5
Topaz
Dateca. 1942
pencil on paper
Not on view

Videos

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      In anticipation of the exhibition 40 under 40: Craft Futures, on view at the Renwick Gallery of the Smithsonian American Art Museum from July 20, 2012 – February 3, 2013, the museum asked the 40 artists featured to share personal videos of themselves with our audience. Here's what Daniel Michalik submitted—enjoy! Daniel Michalik Profile: Daniel Michalik, 2011 Digital video, color, sound, 3:38 Videography and Editing by Matthew Hanlon Music by Matt Moberg Courtesy of Matthew Hanlon

      Related Books

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      40 Under 40: Craft Futures
      40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.

      More Artworks from the Collection

      Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
      City is Man
      Date1941-1952
      linocut
      Not on view
      Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
      Untitled
      Date1976
      embossed paper
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      Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
      Mandala
      Date1977
      lithograph
      Not on view
      Nathan Oliveira, Site with Blue and White, 1978, monotype, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.14
      Site with Blue and White
      Date1978
      monotype
      Not on view