Massimo Plates

Daniel Michalik, Massimo Plates, 2011, high-density recycled cork and low-VOC paint, each: 2 x 11 12 in. (5.129.2 cm) diam., Smithsonian American Art Museum, Gift of Cross MacKenzie Gallery, Washington, DC, 2013.12A-D, © 2011, Daniel Michalik

Artwork Details

Title
Massimo Plates
Date
2011
Location
Not on view
Dimensions
each: 2 x 11 12 in. (5.129.2 cm) diam.
Copyright
© 2011, Daniel Michalik
Credit Line
Gift of Cross MacKenzie Gallery, Washington, DC
Mediums
Mediums Description
high-density recycled cork and low-VOC paint
Classifications
Object Number
2013.12A-D

Works by this artist (2 items)

Jaune Quick-To-See Smith, State Names, 2000, oil, collage and mixed media on canvas, Smithsonian American Art Museum, Gift of Elizabeth Ann Dugan and museum purchase, 2004.28
State Names
Date2000
oil, collage and mixed media on canvas
Not on view
Jaune Quick-To-See Smith, Untitled, from the portfolio Indian Self-Rule, 1983, color lithograph on paper, Smithsonian American Art Museum, Gift of the Institute of the American West, 1984.78.3, © Jaune Quick-To-See Smith
Untitled, from the portfolio Indian Self-Rule
Date1983
color lithograph on paper
Not on view

Videos

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      In anticipation of the exhibition 40 under 40: Craft Futures, on view at the Renwick Gallery of the Smithsonian American Art Museum from July 20, 2012 – February 3, 2013, the museum asked the 40 artists featured to share personal videos of themselves with our audience. Here's what Daniel Michalik submitted—enjoy! Daniel Michalik Profile: Daniel Michalik, 2011 Digital video, color, sound, 3:38 Videography and Editing by Matthew Hanlon Music by Matt Moberg Courtesy of Matthew Hanlon

      Related Books

      4040_500.jpg
      40 Under 40: Craft Futures
      40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.

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      Tom Polacca, Pot with Sgraffito Butterfly Decoration, 1986, fired and sgraffito carved clay, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.169
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