John the Baptist from the Prevalence of Ritual Suite

Image Not Available
Romare Bearden, John the Baptist from the Prevalence of Ritual Suite, 1974, screenprint, image: 3137 12 in. (78.795.3 cm), Smithsonian American Art Museum, Gift of Byron Lewis, 2009.42.5

Artwork Details

Title
John the Baptist from the Prevalence of Ritual Suite
Date
1974
Location
Not on view
Dimensions
image: 3137 12 in. (78.795.3 cm)
Credit Line
Gift of Byron Lewis
Mediums Description
screenprint
Classifications
Subjects
  • Religion — saint — St. John the Baptist
Object Number
2009.42.5

Artwork Description

For a series of prints called the Prevalence of Ritual, Bearden reconfigured age-old stories as allegories of modern life. In John the Baptist he drew on the biblical story of Salome, who had performed a dance for King Herod that so pleased him he offered to grant anything she might ask. At her mother’s urging the young girl requested the head of John the Baptist, who had spoken out against her mother’s marriage to the king. The masklike heads of the figures in John the Baptist blend West African and Egyptian visual traditions with a narrative about vengeance and naïveté.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (22 items)

Martin Lewis, Tree, Manhattan, n.d., drypoint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.194
Tree, Manhattan
Daten.d.
drypoint
Not on view
Martin Lewis, Bay Windows (Snowy Day--Lexington Avenue), 1929, drypoint, sandpaper ground, on paper, Smithsonian American Art Museum, Gift of Page Cross, 1971.47
Bay Windows (Snowy Day – Lexington Avenue)
Date1929
drypoint, sandpaper ground, on paper
Not on view
Martin Lewis, The Return, 1925, etching on paper, Smithsonian American Art Museum, Gift of Nion McEvoy, 2014.39.5
The Return
Date1925
etching on paper
Not on view
Martin Lewis, Night in New York, 1926, etching on paper, Smithsonian American Art Museum, Bequest of Frank McClure, 1979.98.151
Night in New York
Date1926
etching on paper
Not on view

More Artworks from the Collection

William H. Johnson, Portrait of a Woman in Profile, ca. 1944, recto: pen and ink and pencil on paper
verso: pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.485R-V
Portrait of a Woman in Profile
Dateca. 1944
recto: pen and ink and pencil on paper verso: pen and ink on paper
Not on view
Joseph Cornell, "D" in Descartes, 1971, collage with ink, pencil and stamps on paperboard, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.362
D” in Descartes
Date1971
collage with ink, pencil and stamps on paperboard
Not on view
Harold Tovish, Particles II, 1971, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.64
Particles II
Date1971
pen and ink and pencil on paper
Not on view
Philip Guston, Head of a Woman, 1931, pen and ink, conte crayon, and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Director's Discretionary Fund, 1987.2
Head of a Woman
Date1931
pen and ink, conte crayon, and pencil on paper
Not on view