Milk

Melanie Bilenker, Milk, 2011, hair, paper, walnut, gold, crystal, and brass, Smithsonian American Art Museum, Museum purchase made possible by the Charles and Margret Craver Withers Bequest, 2013.54.2, © 2011, Melanie Bilenker
Melanie Bilenker, Milk, 2011, hair, paper, walnut, gold, crystal, and brass, 2212 in. (5.15.11.3 cm), Smithsonian American Art Museum, Museum purchase made possible by the Charles and Margret Craver Withers Bequest, 2013.54.2, © 2011, Melanie Bilenker

Artwork Details

Title
Milk
Date
2011
Location
Not on view
Dimensions
2212 in. (5.15.11.3 cm)
Copyright
© 2011, Melanie Bilenker
Credit Line
Museum purchase made possible by the Charles and Margret Craver Withers Bequest
Mediums Description
hair, paper, walnut, gold, crystal, and brass
Classifications
Subjects
  • Figure female — waist length
  • Architecture Interior — domestic — kitchen
  • Object — foodstuff — beverage
Object Number
2013.54.2

Works by this artist (7 items)

Morris Graves, Hibernation, 1954, watercolor on paper mounted on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.37
Hibernation
Date1954
watercolor on paper mounted on paper
Not on view
Morris Graves, Spring with Machine Age Noise V, 1957, ink and tempera on paper mounted on paperboard, Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc., 1969.47.58
Spring with Machine Age Noise V
Date1957
ink and tempera on paper mounted on paperboard
Not on view
Morris Graves, Wheelbarrow, 1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.90
Wheelbarrow
Date1934
oil on canvas
Not on view

Related Books

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40 Under 40: Craft Futures
40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.

More Artworks from the Collection

Unidentified (American), William H. Johnson, Lincoln at Gettysburg II, ca. 1939-1942, recto: gouache, watercolor and pen and ink with pencil on paper
verso: gouache and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.556R-V
Lincoln at Gettysburg II
Artist
Unidentified (American)
Dateca. 1939-1942
recto: gouache, watercolor and pen and ink with pencil on paper verso: gouache and pencil on paper
Not on view
Werner Drewes, Confrontation, 1945, ink and gouache on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Wolfram U. Drewes, 2004.31.1
Confrontation
Date1945
ink and gouache on paper
Not on view
George Giusti, "Civilization is a method of living, an attitude of equal respect for all men."--Jane Addams, Speech, Honolulu, 1933. From the series Great Ideas of Western Man., 1955, India ink and gouache on paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.107
Civilization is a method of living, an attitude of equal…
Date1955
India ink and gouache on paper
Not on view
Milton Glaser, "Everything that enlarges the sphere of human powers, that shows man he can do what he thought he could not do, is valuable.."--Dr. Samuel Johnson, 1791. From the series Great Ideas of Western Man., 1957, India ink, gouache, watercolor, and varnish on paperboard mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.108
Everything that enlarges the sphere of human powers, that…
Date1957
India ink, gouache, watercolor, and varnish on paperboard mounted on paperboard
Not on view