Milk

Melanie Bilenker, Milk, 2011, hair, paper, walnut, gold, crystal, and brass, Smithsonian American Art Museum, Museum purchase made possible by the Charles and Margret Craver Withers Bequest, 2013.54.2, © 2011, Melanie Bilenker
Melanie Bilenker, Milk, 2011, hair, paper, walnut, gold, crystal, and brass, 2212 in. (5.15.11.3 cm), Smithsonian American Art Museum, Museum purchase made possible by the Charles and Margret Craver Withers Bequest, 2013.54.2, © 2011, Melanie Bilenker

Artwork Details

Title
Milk
Date
2011
Location
Not on view
Dimensions
2212 in. (5.15.11.3 cm)
Copyright
© 2011, Melanie Bilenker
Credit Line
Museum purchase made possible by the Charles and Margret Craver Withers Bequest
Mediums Description
hair, paper, walnut, gold, crystal, and brass
Classifications
Subjects
  • Object — foodstuff — beverage
  • Architecture Interior — domestic — kitchen
  • Figure female — waist length
Object Number
2013.54.2

Works by this artist (3 items)

Edward Kienholz, Nancy Reddin Kienholz, Sollie 17, 1979-1980, mixed media construction, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2001.58, © 1980, Nancy Reddin Kienholz
Sollie 17
Date1979-1980
mixed media construction
Not on view
Edward Kienholz, Untitled, n.d., encaustic on fiberboard, Smithsonian American Art Museum, Gift of Patricia Colleen McCall, 1982.125
Untitled
Daten.d.
encaustic on fiberboard
Not on view
Edward Kienholz, Nancy Reddin Kienholz, Drawing for Sollie 17, 1980, mixed media construction, Smithsonian American Art Museum, Gift of G & W Investments, 2001.59A-D, © 1980, Nancy Reddin Kienholz
Drawing for Sollie 17
Date1980
mixed media construction
Not on view

Related Books

4040_500.jpg
40 Under 40: Craft Futures
40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.

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