Cut, Flamed, Spalted

Dan Webb, Cut, Flamed, Spalted, 2013, maple, 18 × 37 × 33 in. (45.7 × 94.0 × 83.8 cm), Smithsonian American Art Museum, Museum purchase through the Decorative Arts and Crafts Endowment, the Richard T. Evans Fund, and the Renwick Acquisitions Fund, 2015.10, © 2013, Dan Webb

Artwork Details

Title
Cut, Flamed, Spalted
Artist
Date
2013
Location
Not on view
Dimensions
18 × 37 × 33 in. (45.7 × 94.0 × 83.8 cm)
Copyright
© 2013, Dan Webb
Credit Line
Museum purchase through the Decorative Arts and Crafts Endowment, the Richard T. Evans Fund, and the Renwick Acquisitions Fund
Mediums Description
maple
Classifications
Subjects
  • Figure — fragment — arm
Object Number
2015.10

Artwork Description

Dan Webb consciously integrates medium and process into his emotional narrative. Refined and unfinished textures stress the maker's hand. Spalting, a discoloration in the wood caused by fungus, can be seen in jagged lines across the bicep, while flaming, another grain distortion, shimmers like veins through the tender wrist. These conditions add depth and beauty to the piece, revealing the tree's history while drawing a parallel to the scars of a life lived.

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (8 items)

Beatrice S. Levy, The Beach, n.d., color aquatint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.188
The Beach
Daten.d.
color aquatint
Not on view
Beatrice S. Levy, The Derelict, 1914, color aquatint on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.187
The Derelict
Date1914
color aquatint on paper
Not on view
Beatrice S. Levy, In Orchestra Hall, n.d., drypoint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.189
In Orchestra Hall
Daten.d.
drypoint
Not on view
Beatrice S. Levy, Rain in the Hills, 1935, etching on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.605
Rain in the Hills
Date1935
etching on paper
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Salvatore Mancini, Narragansett Electric, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.8
Narragansett Electric
Date2000
gelatin silver print
Not on view
Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
Remains of Lock, Millville
Date2000
gelatin silver print
Not on view
Keisha Scarville, Chair, 2001, gelatin silver print, Smithsonian American Art Museum, Gift of the Perkins Center for the Arts, 2002.17, © 2001, Keisha Scarville
Chair
Date2001
gelatin silver print
Not on view
Salvatore Mancini, Eel Fisherman, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.2
Eel Fisherman
Date2000
gelatin silver print
Not on view