Volume (Renwick)

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Leo Villareal, Volume (Renwick), 2015, white LEDs, mirror-finished stainless steel, custom software, and electrical hardware, 114 × 249 12 × 78 12 in. (289.6 × 633.7 × 199.4 cm), Smithsonian American Art Museum, Gift of Janet and Jim Dicke, Tania and Tom Evans, Paula and Peter Lunder, and Debbie Petersen in honor of Elizabeth Broun, 2016.13, © Leo Villareal

Artwork Details

Title
Volume (Renwick)
Date
2015
Dimensions
114 × 249 12 × 78 12 in. (289.6 × 633.7 × 199.4 cm)
Copyright
© Leo Villareal
Credit Line
Gift of Janet and Jim Dicke, Tania and Tom Evans, Paula and Peter Lunder, and Debbie Petersen in honor of Elizabeth Broun
Mediums Description
white LEDs, mirror-finished stainless steel, custom software, and electrical hardware
Classifications
Subjects
  • Abstract
Object Number
2016.13

Artwork Description

Only part of Villareal's artwork is visible in the materials suspended above the staircase. This hardware serves primarily as a vehicle for the visual manifestation of code--an artist-written algorithm employing the binary system of 1s and 0s telling each LED when to turn on or off. This simple command creates lighting sequences that will never repeat exactly as before. It also changes how we think of code, from a line of characters that can be read on any screen to an object that must be witnessed in the museum.

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (2 items)

Will Simmons, Honeymoon, n.d., etching, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.296
Honeymoon
Daten.d.
etching
Not on view
Will Simmons, Ariel, n.d., aquatint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.297
Ariel
Daten.d.
aquatint
Not on view

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WONDER
WONDER celebrates the renovation and reopening of the Smithsonian’s Renwick Gallery with an immersive web of magic. Nine major contemporary artists, including Maya Lin, Tara Donovan, Leo Villareal, Patrick Dougherty, and Janet Echelman, were invited to take over the Renwick’s galleries, transforming the entire museum into a mind-expanding cabinet of wonders. Mundane materials such as index cards, marbles, sticks, and thread are conjured into strange new worlds that demonstrate the qualities uniting these artists: a sensitivity to site and the ways we experience place, a passion for making and materiality, and a desire to provoke awe.

More Artworks from the Collection

Rudolf Staffel, Light Gatherer, 1985, hand-built translucent porcelain, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1987.43
Light Gatherer
Date1985
hand-built translucent porcelain
On view
Ron Fondaw, Fingers, 1978, thrown, slip-cast, and salt-glazed porcelain, Smithsonian American Art Museum, Gift of Suzanne Kores, 1981.18
Fingers
Date1978
thrown, slip-cast, and salt-glazed porcelain
Not on view
Henry Lyman, Coupling Pots, 1979, porcelain with barium-copper glaze, Smithsonian American Art Museum, Gift of the artist, 1981.56A-D
Coupling Pots
Date1979
porcelain with barium-copper glaze
Not on view
Catharine Hiersoux, Columns, 1979, wheel-thrown, assembled, and glazed porcelain, Smithsonian American Art Museum, Gift of an anonymous donor, 1980.61.4
Columns
Date1979
wheel-thrown, assembled, and glazed porcelain
Not on view