Untitled from the series American Beauties

David Levinthal, Untitled from the series American Beauties, 1990, Polaroid Polacolor ER Land Film, Smithsonian American Art Museum, Gift of an anonymous donor, 2017.32.8, © 1990, David Levinthal
David Levinthal, Untitled from the series American Beauties, 1990, Polaroid Polacolor ER Land Film, 24 × 20 in. (61.0 × 50.8 cm), Smithsonian American Art Museum, Gift of an anonymous donor, 2017.32.8, © 1990, David Levinthal

Artwork Details

Title
Untitled from the series American Beauties
Date
1990
Location
Not on view
Dimensions
24 × 20 in. (61.0 × 50.8 cm)
Copyright
© 1990, David Levinthal
Credit Line
Gift of an anonymous donor
Mediums Description
Polaroid Polacolor ER Land Film
Classifications
Subjects
  • Landscape — beach
  • Figure female — full length
  • Allegory — quality — beauty
  • American
Object Number
2017.32.8

Artwork Description

The distinct look of the American Beauties series came about after a long day of shooting Western pictures at the 20x24 Polaroid Studio. Levinthal positioned a newly acquired pinup figure on a bed of sand leftover from his cowboy photos and removed the spray-painted Wild
West
background. He then photographed the solitary figure with dramatic lighting in a darkened studio. Levinthal loved the simplicity of the result and the sculptural quality of the tiny toys. The images are among the artist's most evocative and enigmatic--nocturnal beach scenes where the world of childhood innocence intersects with the world of adult experience.

Works by this artist (8 items)

John Cage, Not Wanting to Say Anything about Marcel, Lithograph A, 1969, color lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1972.96
Not Wanting to Say Anything about Marcel, Lithograph A
Date1969
color lithograph on paper
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Seven, 1978, color etching with hard ground etching, drypoint, sugar aquatint, photo etching, and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.7
Seven Day Diary (Not Knowing), Day Seven
Date1978
color etching with hard ground etching, drypoint, sugar aquatint, photo etching, and found objects
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Five, 1978, hard and soft ground etching, drypoint, sugar aquatint, photo etching, and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.5
Seven Day Diary (Not Knowing), Day Five
Date1978
hard and soft ground etching, drypoint, sugar aquatint, photo etching, and found objects
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Six, 1978, color etching with hard and soft ground etching, drypoint, sugar aquatint, photo etching and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.6
Seven Day Diary (Not Knowing), Day Six
Date1978
color etching with hard and soft ground etching, drypoint, sugar aquatint, photo etching and found objects
Not on view

Exhibitions

Media - 2017.32.10 - SAAM-2017.32.10_1 - 133751
American Myth & Memory: David Levinthal Photographs 
June 7, 2019October 14, 2019
Populated with toy cowboys and cavalry, Barbie dolls and baseball players, David Levinthal’s photographs reference iconic images and events that shaped postwar American society.

More Artworks from the Collection

Al Blaustein, Family and Friends, ca. 1967, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.4
Family and Friends
Dateca. 1967
pen and ink and pencil on paper
Not on view
William H. Johnson, Soldiers Standing with Rifles, ca. 1941-1942, recto: pen and ink and pencil on paper
verso: pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.564R-V
Soldiers Standing with Rifles
Dateca. 1941-1942
recto: pen and ink and pencil on paper verso: pencil on paper
Not on view
William H. Johnson, Storefront Church, ca. 1940-1941, pen and ink and pencil with wash on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.566
Storefront Church
Dateca. 1940-1941
pen and ink and pencil with wash on paper
Not on view
William H. Johnson, Mountains and Blossoming Trees, Norway, ca. 1935-1938, brush and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.127
Mountains and Blossoming Trees, Norway
Dateca. 1935-1938
brush and ink and pencil on paper
Not on view