Untitled #13 (Trees and Reflections), from the series Night Coming Tenderly, Black

Dawoud Bey, Untitled #13 (Trees and Reflections), from the series Night Coming Tenderly, Black, 2017, gelatin silver print, Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.5, © 2019, Dawoud Bey
Dawoud Bey, Untitled #13 (Trees and Reflections), from the series Night Coming Tenderly, Black, 2017, gelatin silver print, overall: 48 × 59 in. (121.9 × 149.9 cm), Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.5, © 2019, Dawoud Bey

Artwork Details

Title
Untitled #13 (Trees and Reflections), from the series Night Coming Tenderly, Black
Artist
Date
2017
Location
Not on view
Dimensions
overall: 48 × 59 in. (121.9 × 149.9 cm)
Copyright
© 2019, Dawoud Bey
Credit Line
Gift of Ellen Benninghoven and Michael Schafer
Mediums Description
gelatin silver print
Classifications
Subjects
  • Landscape — tree
  • Landscape — time — night
  • Landscape — river
Object Number
2019.29.5

Works by this artist (14 items)

Nellie Mae Rowe, At the Art Gallery, 1979, crayon and felt tip on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.10
At the Art Gallery
Date1979
crayon and felt tip on paper
Not on view
Nellie Mae Rowe, Untitled (Four-Leaf Clover and Little Zebra), 1980, marker on silver gelatin print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.6
Untitled (Four-Leaf Clover and Little Zebra)
Date1980
marker on silver gelatin print
Not on view
Nellie Mae Rowe, Church Lady in Pants Suit, 1980, crayon and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.9
Church Lady in Pants Suit
Date1980
crayon and pencil on paper
Not on view
Nellie Mae Rowe, Untitled (Landscape with Black Girl), ca. 1980, crayon on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.131
Untitled (Landscape with Black Girl)
Dateca. 1980
crayon on paper
Not on view

Exhibitions

Media - 2019.29.1 - SAAM-2019.29.1_1 - 138052
Dawoud Bey and William H. Johnson
May 12, 2021August 5, 2021
This focused installation features recently acquired photographs by Dawoud Bey in conversation with a painting by William H. Johnson that refer to the Underground Railroad.

More Artworks from the Collection

Nellie Mae Rowe, Church Lady in Pants Suit, 1980, crayon and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.9
Church Lady in Pants Suit
Date1980
crayon and pencil on paper
Not on view
Man Ray, Détachement-soulever le fil-regarder le dessín, 1970, felt-tipped pen and ink, crayon, pencil, string and postage stamp on paper, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1980.102.3
Détachement-soulever le fil-regarder le dessín
Artist
Date1970
felt-tipped pen and ink, crayon, pencil, string and postage stamp on paper
Not on view
Bill Beirne, Cross Reference, production notes (directional diagram), 1976, crayon, pencil, and ink on paper with additions in collage, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.6, © 1976, Bill Beirne
Cross Reference, production notes (directional diagram)
Date1976
crayon, pencil, and ink on paper with additions in collage
Not on view