When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians

Gail Tremblay, When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians, 2018, 35mm film from "Windwalker" (1981), red and white film leader, silver braid, 15 12 in. × 14 in. × 14 in. (39.4 × 35.6 × 35.6 cm), Smithsonian American Art Museum, Museum purchase made possible by Ms. Brenda Erickson in honor of the James Renwick Alliance, 2021.11, © 2018, Gail E. Tremblay

Artwork Details

Title
When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians
Date
2018
Location
Not on view
Dimensions
15 12 in. × 14 in. × 14 in. (39.4 × 35.6 × 35.6 cm)
Copyright
© 2018, Gail E. Tremblay
Credit Line
Museum purchase made possible by Ms. Brenda Erickson in honor of the James Renwick Alliance
Mediums
Mediums Description
35mm film from "Windwalker" (1981), red and white film leader, silver braid
Classifications
Subjects
  • Indian
  • Abstract
Object Number
2021.11

Artwork Description

This basket is filled with meaning, from the title to the color choice and type of stitch. It incorporates 35mm film from the 1981 western Windwalker, in which one Native American tribe is portrayed as noble and the other as villainous. The red film leader and the reference to “Red Leader” in the basket’s title symbolize the derogatory term used to describe Native Americans. Gail Tremblay twists the film into a prickly porcupine stitch. Often using movies and documentaries with Native characters and storylines, the artist notes, “I enjoyed the notion of recycling film and gaining control over a medium that had historically been used by Hollywood and documentary filmmakers to stereotype American Indians.”


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Works by this artist (22 items)

Robert S. Duncanson, Mountain Pool, 1870, oil on canvas, Smithsonian American Art Museum, Gift of Dr. Richard Frates, 1983.95.173
Mountain Pool
Date1870
oil on canvas
On view
Robert S. Duncanson, On the St. Annes, East Canada, 1863, 1865, oil on canvas, Smithsonian American Art Museum, Gift of Herbert Drown, 1983.95.170
On the St. Annes, East Canada
Date1863, 1865
oil on canvas
On view
Robert S. Duncanson, Waterfall on Mont-Morency, 1864, oil on canvas, Smithsonian American Art Museum, Gift of Dr. Norbert Fleisig, 1983.95.161
Waterfall on Mont-Morency
Date1864
oil on canvas
On view
Robert S. Duncanson, Loch Long, 1867, oil on canvas, Smithsonian American Art Museum, Gift of Donald J. Shein, 1983.95.171
Loch Long
Date1867
oil on canvas
On view

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John Henry Twachtman, Figure in Sunlight (Artist's Wife), ca. 1890-1900, oil on canvas, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.137
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Dateca. 1890-1900
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Unidentified (Italian), Saint, 19th century, oil on canvas, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney, 1952.13.157
Saint
Artist
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Date19th century
oil on canvas
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