When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians

Gail Tremblay, When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians, 2018, 35mm film from "Windwalker" (1981), red and white film leader, silver braid, 15 12 in. × 14 in. × 14 in. (39.4 × 35.6 × 35.6 cm), Smithsonian American Art Museum, Museum purchase made possible by Ms. Brenda Erickson in honor of the James Renwick Alliance, 2021.11, © 2018, Gail E. Tremblay

Artwork Details

Title
When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians
Date
2018
Location
Not on view
Dimensions
15 12 in. × 14 in. × 14 in. (39.4 × 35.6 × 35.6 cm)
Copyright
© 2018, Gail E. Tremblay
Credit Line
Museum purchase made possible by Ms. Brenda Erickson in honor of the James Renwick Alliance
Mediums
Mediums Description
35mm film from "Windwalker" (1981), red and white film leader, silver braid
Classifications
Subjects
  • Abstract
  • Indian
Object Number
2021.11

Artwork Description

This basket is filled with meaning, from the title to the color choice and type of stitch. It incorporates 35mm film from the 1981 western Windwalker, in which one Native American tribe is portrayed as noble and the other as villainous. The red film leader and the reference to “Red Leader” in the basket’s title symbolize the derogatory term used to describe Native Americans. Gail Tremblay twists the film into a prickly porcupine stitch. Often using movies and documentaries with Native characters and storylines, the artist notes, “I enjoyed the notion of recycling film and gaining control over a medium that had historically been used by Hollywood and documentary filmmakers to stereotype American Indians.”


This Present Moment: Crafting a Better World, 2022

Works by this artist (7 items)

Jacob Maentel, Portrait of Elizabeth Sweitzer Musser, ca. 1826, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.5
Portrait of Elizabeth Sweitzer Musser
Dateca. 1826
watercolor and pen and ink on paper
Not on view
Jacob Maentel, Portrait of Adam Musser, ca. 1822, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.9
Portrait of Adam Musser
Dateca. 1822
watercolor and pen and ink on paper
Not on view
Jacob Maentel, Portrait of George Musser, ca. 1826, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.4
Portrait of George Musser
Dateca. 1826
watercolor and pen and ink on paper
Not on view
Jacob Maentel, Portrait of Sarah Musser, 1826, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.6
Portrait of Sarah Musser
Date1826
watercolor and pen and ink on paper
Not on view

More Artworks from the Collection

Oliver Tarbell Eddy, Self-Portrait, ca. 1850, oil on tin, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.3
Self-Portrait
Dateca. 1850
oil on tin
Not on view
Jacob Maentel, Portrait of Elizabeth Sweitzer Musser, ca. 1826, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.5
Portrait of Elizabeth Sweitzer Musser
Dateca. 1826
watercolor and pen and ink on paper
Not on view
Jacob Maentel, Portrait of Adam Musser, ca. 1822, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.9
Portrait of Adam Musser
Dateca. 1822
watercolor and pen and ink on paper
Not on view
Ammi Phillips, Portrait of Helen (Lena) Ten Broeck, 1834, oil on canvas, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.10
Portrait of Helen (Lena) Ten Broeck
Date1834
oil on canvas
On view