San Francisco, California, from the series East Meets West

Tseng Kwong Chi, San Francisco, California, from the series East Meets West, 1979, printed 2008, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific  American Initiatives Pool, administered by the Smithsonian Asian Pacific  American Center, 2021.14.1, © Muna Tseng Dance Projects, Inc.
Tseng Kwong Chi, San Francisco, California, from the series East Meets West, 1979, printed 2008, gelatin silver print, frame: 37 14 × 37 14 in. (94.6 × 94.6 cm) image: 36 × 36 in. (91.4 × 91.4 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center, 2021.14.1, © Muna Tseng Dance Projects, Inc.

Artwork Details

Title
San Francisco, California, from the series East Meets West
Date
1979, printed 2008
Location
Not on view
Dimensions
frame: 37 14 × 37 14 in. (94.6 × 94.6 cm) image: 36 × 36 in. (91.4 × 91.4 cm)
Copyright
© Muna Tseng Dance Projects, Inc.
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center
Mediums Description
gelatin silver print
Classifications
Subjects
  • Cityscape — California — San Francisco
Object Number
2021.14.1

Artwork Description

In his signature series East Meets West, Tseng Kwong Chi created a role for himself he called the "Ambiguous Ambassador." Wearing a Mao suit (the gray uniform associated with the Chinese Communist Party) and mirrored sunglasses, he posed next to landmarks and monuments, many of them emblems of American national identity.

Tseng highlighted the signifying power of dress and posture. As an immigrant and person of Chinese descent, he was also conscious of how Asians are stereotyped in the West. His donning of the Mao suit in public was a tongue-in-cheek performance of "Chineseness" that both played to and subverted assumptions about race, culture, and nationality.

Gallery Label, 2024

Works by this artist (22 items)

Eddie Arning, Birds, 1969, crayon on paper, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.163
Birds
Date1969
crayon on paper
Not on view
Eddie Arning, Windmill, 1965-1966, crayon on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Alexander Sackton, 1987.51.1
Windmill
Date1965-1966
crayon on paper
Not on view
Eddie Arning, Two Houses, 1967, crayon on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Alexander Sackton, 1987.51.2
Two Houses
Date1967
crayon on paper
Not on view
Eddie Arning, Jesus Craze, 1972, oil pastel on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Alexander Sackton, 1987.51.13
Jesus Craze
Date1972
oil pastel on paper
Not on view

More Artworks from the Collection

Edward Sachse, Smithsonian Institute, ca. 1855, hand-colored lithograph, Smithsonian American Art Museum, Gift of Al Marzorini in honor of Harry Lowe, 2019.23
Smithsonian Institute
Dateca. 1855
hand-colored lithograph
Not on view
Marching As to War
Daten.d.
color etching
Not on view
James Otto Lewis, A Sioux Chief, from The Aboriginal Portfolio, 1835, hand-colored lithograph on paper, Smithsonian American Art Museum, Gift of H. Lyman Sayen to his nation, 1973.167.67
A Sioux Chief, from The Aboriginal Portfolio
Date1835
hand-colored lithograph on paper
Not on view
James Otto Lewis, WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, 1835, hand-colored lithograph on paper, Smithsonian American Art Museum, Gift of H. Lyman Sayen to his nation, 1973.167.51
WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief,…
Date1835
hand-colored lithograph on paper
Not on view