Monument Valley, Arizona, from the series East Meets West

Tseng Kwong Chi, Monument Valley, Arizona, from the series East Meets West, 1987, printed 2008, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific  American Initiatives Pool, administered by the Smithsonian Asian Pacific  American Center, 2021.14.6, © Muna Tseng Dance Projects, Inc.
Tseng Kwong Chi, Monument Valley, Arizona, from the series East Meets West, 1987, printed 2008, gelatin silver print, frame: 37 14 × 37 14 in. (94.6 × 94.6 cm) image: 36 × 36 in. (91.4 × 91.4 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center, 2021.14.6, © Muna Tseng Dance Projects, Inc.

Artwork Details

Title
Monument Valley, Arizona, from the series East Meets West
Date
1987, printed 2008
Location
Not on view
Dimensions
frame: 37 14 × 37 14 in. (94.6 × 94.6 cm) image: 36 × 36 in. (91.4 × 91.4 cm)
Copyright
© Muna Tseng Dance Projects, Inc.
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center
Mediums Description
gelatin silver print
Classifications
Subjects
  • Landscape — Arizona — Monument Valley
Object Number
2021.14.6

Artwork Description

In his signature series East Meets West, Tseng Kwong Chi created a role for himself he called the "Ambiguous Ambassador." Wearing a Mao suit (the gray uniform associated with the Chinese Communist Party) and mirrored sunglasses, he posed next to landmarks and monuments, many of them emblems of American national identity.

Tseng highlighted the signifying power of dress and posture. As an immigrant and person of Chinese descent, he was also conscious of how Asians are stereotyped in the West. His donning of the Mao suit in public was a tongue-in-cheek performance of "Chineseness" that both played to and subverted assumptions about race, culture, and nationality.

Gallery label, 2024

Works by this artist (3 items)

Location of Prisms for the Main Lobby of the Federal…
Date1975
pen and ink, colored pencil, pencil and opaque white on paper
Not on view
Charles Ross, Maquette for Origin of Colors, 1976, plastic, wood, cotton and steel/assembled, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.49.20
Maquette for Origin of Colors
Date1976
plastic, wood, cotton and steel/assembled
Not on view

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Jakob Steinhardt, Untitled, n.d., etching, Smithsonian American Art Museum, Gift of Adelyn D. Breeskin, 1970.61
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