Riverside Revival: Lift Every Voice and Sing

Basil Kincaid, Riverside Revival: Lift Every Voice and Sing, 2019-2021, clothes from the artist, donate clothes, donated corduroy, old choir robes from Black Churches in St. Louis, fragments of vintage quilts, Ghanaian fabric and embroidery, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.50.1, © 2021, Basil Alexander Kincaid
Basil Kincaid, Riverside Revival: Lift Every Voice and Sing, 2019-2021, clothes from the artist, donate clothes, donated corduroy, old choir robes from Black Churches in St. Louis, fragments of vintage quilts, Ghanaian fabric and embroidery, overall: 77 12 × 52 78 in. (196.9 × 134.3 cm) [irregular], Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.50.1, © 2021, Basil Alexander Kincaid

Artwork Details

Title
Riverside Revival: Lift Every Voice and Sing
Date
2019-2021
Location
Not on view
Dimensions
overall: 77 12 × 52 78 in. (196.9 × 134.3 cm) [irregular]
Copyright
© 2021, Basil Alexander Kincaid
Credit Line
Museum purchase through the Kenneth R. Trapp Acquisition Fund
Mediums
Mediums Description
clothes from the artist, donate clothes, donated corduroy, old choir robes from Black Churches in St. Louis, fragments of vintage quilts, Ghanaian fabric and embroidery
Classifications
Subjects
  • Abstract
  • Figure
  • Performing arts — music — voice
Object Number
2021.50.1

Artwork Description

This quilt tells a love story. The artist’s paternal grandparents met at a tent church revival in Arkansas, where his grandfather sang in a quartet. Old choir robes from Black churches in St. Louis make up the central figures extending their arms upwards in praise. The background comprises vintage quilts, donated clothing, and fabric from Ghana, chosen by the artist to honor how the women in his family have long made beautiful quilts from recycled clothes.


A seventh-generation quilter, Basil Kincaid connects personal and collective memories. He notes, “you can look at where the materials come from and decode the tapestry like a mythology. Future people may not know our religions, their rise and fall, but they will know that we drew energy from dancing and singing together by the riverside.”


The subtitle, Lift Every Voice and Sing, pays tribute to the poem-turned-song by brothers James Weldon Johnson and John Rosamond Johnson that became the canonical song of the National Association for the Advancement of Colored People and is often referred to as the Black national anthem.


This Present Moment: Crafting a Better World, 2022


Works by this artist (4 items)

Frank E. Cummings III, Ode to Today, 1993, ebony, 18k gold, pearls, and imperial topaz, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.7A-C
Ode to Today
Date1993
ebony, 18k gold, pearls, and imperial topaz
Not on view
Frank E. Cummings III, On the Edge Naturally, 1990, kingwood burl, 18k gold, and mother-of-pearl, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler, 2002.66A-B
On the Edge Naturally
Date1990
kingwood burl, 18k gold, and mother-of-pearl
Not on view
Frank E. Cummings III, Lady Lace with New Shoes, 1989, black walnut, ivory, gold and onyx, Smithsonian American Art Museum, Gift of George Peter Lamb and Lucy Scardino in memory of Natalie Rust Lamb, 1995.100.4
Lady Lace with New Shoes
Date1989
black walnut, ivory, gold and onyx
Not on view
Carousel: Age of Awareness
Date1994
walnut, ebony, black onyx, 18K gold, pearl rubellite
Not on view

Exhibitions

Quilt featuring the portrait of a woman
This Present Moment: Crafting a Better World
May 13, 2022April 2, 2023
This Present Moment: Crafting a Better World showcases the dynamic landscape of American craft today.