Untitled (Verse Jar)

David ("Dave") Drake, Untitled (Verse Jar), 1860, stoneware with alkaline glaze, 21 38 × 19 12 × 18 38 in. (54.3 × 49.5 × 46.7 cm) footprint: 12 in. (30.5 cm), Smithsonian American Art Museum, Gift of Ann and Tom Cousins, 2021.76.1
Free to use

Artwork Details

Title
Untitled (Verse Jar)
Date
1860
Dimensions
21 38 × 19 12 × 18 38 in. (54.3 × 49.5 × 46.7 cm) footprint: 12 in. (30.5 cm)
Credit Line
Gift of Ann and Tom Cousins
Mediums
Mediums Description
stoneware with alkaline glaze
Classifications
Subjects
  • Object — other — container
  • Object — other — container
Object Number
2021.76.1

Artwork Description

Inscription reads:

"A noble Jar for pork or beef

then carry it a round to the indian chief." 

"Lm  november 9 - 1860

DAVE"

The brown-green hue of this jar, along with its shape, lug handles, and irregular drips, reflect a distinctive alkaline glaze stoneware tradition from nineteenth-century Edgefield, South Carolina. The maker, David "Dave" Drake, was an enslaved craftsman in 1860 when he produced this jar. Drake used wheel throwing and coiling techniques to make vessels of an uncommonly large scale. 

The first line of the rhyme on this jar suggests it was used as a container for preserved meats. But the presence of the text itself is as compelling as the poem's intended meaning. 

An 1834 South Carolina law prohibited enslaved men and women from learning to read or write. Despite the risk, Drake prominently signed the name "Dave" and inscribed short poems onto the surface of dozens of large storage vessels he made while enslaved in the Edgefield area. 

Drake's signature asserts his role in creating this jar and its inscription, but he also calls attention to his bondage by inscribing the initials of his enslaver, Lewis Miles, alongside the date of production. 

As enslaved men and women used and admired this massive jar, they would have understood Drake's unmistakable act of defiance. To them and to future generations, he refuted anonymity by making his mark.

Born around 1800, Drake was enslaved for most of his life, as virtually no pathways to freedom existed in South Carolina prior to the Civil War. After gaining his freedom, the artist took the surname Drake.

Works by this artist (162 items)

Mingering Mike, MERCY: "DIG IT" / WELL SHE LOVE'S ME, MINGERING MIKE & HIS FRACTURED SOUL BAND, ca. 1972 - 1975, ink and marker on paper, Smithsonian American Art Museum, Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.8.85.2, © Mingering Mike
MERCY: DIG IT” / WELL SHE LOVE’S ME, MINGERING MIKE & HIS…
Dateca. 1972 - 1975
ink and marker on paper
Not on view
Mingering Mike, Gold Pot Records: MINGERING MIKE: SWEET WOMAN OF MINE, ca. 1972, ink, marker, crayon, and paint on paperboard, Smithsonian American Art Museum, Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.8.110, © Mingering Mike
Gold Pot Records: MINGERING MIKE: SWEET WOMAN OF MINE
Dateca. 1972
ink, marker, crayon, and paint on paperboard
Not on view

Related Posts

Detail of brown ceramic jar with writing and the signature "Dave" inscribed around the top.
Craftsman David “Dave” Drake, enslaved for most of his life, produced uncommonly large ceramic jars in 19th-century South Carolina adorned by his poetic verses
A woman in a black blazer smiles in front of a dusky landscape
Jill Vaum Rothschild
Luce Curatorial Fellow
A photograph of a woman standing in front of artwork.
Leslie Umberger
Curator (Folk and Self-Taught Art)

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Nathan Oliveira, Site with Blue and White, 1978, monotype, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.14
Site with Blue and White
Date1978
monotype
Not on view