Nationalities: Eleven Filipino women in native dress (from the American Counterpoint project, Alexander Alland, Sr., Photoprints, circa 1940, National Museum of American History, Archives Center, NMAH.AC.0204)

Stephanie Syjuco, Nationalities: Eleven Filipino women in native dress (from the American Counterpoint project, Alexander Alland, Sr., Photoprints, circa 1940, National Museum of American History, Archives Center, NMAH.AC.0204), 2021, archival pigment inkjet, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, in partnership with the Smithsonian Asian Pacific American Center, 2022.24.1
Stephanie Syjuco, Nationalities: Eleven Filipino women in native dress (from the American Counterpoint project, Alexander Alland, Sr., Photoprints, circa 1940, National Museum of American History, Archives Center, NMAH.AC.0204), 2021, archival pigment inkjet, sheet: 38 34 × 56 in. (98.4 × 142.2 cm) framed: 41 34 × 59 12 × 2 14 in. (106 × 151.1 × 5.7 cm), Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, in partnership with the Smithsonian Asian Pacific American Center, 2022.24.1

Artwork Details

Title
Nationalities: Eleven Filipino women in native dress (from the American Counterpoint project, Alexander Alland, Sr., Photoprints, circa 1940, National Museum of American History, Archives Center, NMAH.AC.0204)
Date
2021
Dimensions
sheet: 38 34 × 56 in. (98.4 × 142.2 cm) framed: 41 34 × 59 12 × 2 14 in. (106 × 151.1 × 5.7 cm)
Credit Line
Museum purchase through the Catherine Walden Myer Fund, in partnership with the Smithsonian Asian Pacific American Center
Mediums Description
archival pigment inkjet
Classifications
Highlights
Subjects
  • Figure group — female
  • Architecture Interior
Object Number
2022.24.1

Artwork Description

In these works, Stephanie Syjuco manipulates archival material she photographed in 2019 as a Smithsonian Artist Research Fellow at the National Museum of American History. Her discoveries there led her to consider the role of such collections in shaping American identity and history.

The source for Nationalities was Alexander Alland's American Counterpoint photographs from the 1940s. Syjuco highlights her engagement with that material through the exposure of a photograph, shown in the box where she found it. The source for Reverse View: KKK was the Warshaw Collection of Business Americana. Wedged between the subjects "Ladies Clothes" and "Kitchen Appliances," Syjuco found a folder containing pamphlets, correspondence, and photographs recording Ku Klux Klan activities. Here, Syjuco's engagement is made visible through her blockage. By exposing the backsides of these materials, Syjuco provides a counternarrative to white supremacy.

Works by this artist (1 item)

Glenn Kaino, Bridge, 2013-2014, fiberglass, steel, wire and gold paint, Smithsonian American Art Museum, Gift of the Smithsonian Secretary and the Smithsonian National Board and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2022.34A-C, © 2013-2014, Glenn Kaino
Bridge
Date2013-2014
fiberglass, steel, wire and gold paint
On view

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