I Know Why the Caged Bird Beats His Wings

Bisa Butler, I Know Why the Caged Bird Beats His Wings, 2012, commercial cotton fabric, rayon, linen, chiffon, batik fabric, cotton batting, acrylic paint, and polyester fabric, 49 × 47 14 in. (124.5 × 120.0 cm), Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.5

Artwork Details

Title
I Know Why the Caged Bird Beats His Wings
Artist
Date
2012
Dimensions
49 × 47 14 in. (124.5 × 120.0 cm)
Credit Line
Gift of Fleur S. Bresler
Mediums Description
commercial cotton fabric, rayon, linen, chiffon, batik fabric, cotton batting, acrylic paint, and polyester fabric
Classifications
Subjects
  • Portrait male — Dunbar, Paul Laurence
  • Occupation — writer — poet
  • African American
  • Animal — bird
Object Number
2023.40.5

Artwork Description

Bisa Butler 
born 1973, Orange, NJ
resides West Orange, NJ

I Know Why the Caged Bird Beats His Wings
2012
commercial cotton fabric, rayon, linen, chiffon, batik fabric, cotton batting, acrylic paint, and polyester fabric

As a student at Howard University in Washington, DC, Bisa Butler would often walk by Dunbar High School on her way to class. She later learned that the school, named for poet Paul Lawrence Dunbar, was the first public high school for African American students in the nation, having opened its doors in 1870 in the ??basement of the Fifteenth Street Presbyterian Church. As Butler researched Dunbar’s life in photographs, she admired how his stylish self-presentation mirrored his poetry, which he wrote in a Black vernacular dialect. 

This portrait quilt of Dunbar features the poet in front of a caged bird and a bird flying freely, visually connecting Black expressive culture to liberation. A few lines from Dunbar’s poem “Sympathy,” from which Maya Angelou derived the title of her acclaimed memoir, float around the border. Butler realizes Dunbar’s life, his words, his character, in dazzling color, layering hand-dyed batiks using a technique called appliqué. 

Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.5

Works by this artist (17 items)

Lawrence Kupferman, Resurrection, 1939, engraving and linoleum cut, Smithsonian American Art Museum, Transfer from D.C. Public Library, 1967.72.142
Resurrection
Date1939
engraving and linoleum cut
Not on view
Lawrence Kupferman, Gothic Cottage, ca. 1936, drypoint, Smithsonian American Art Museum, Transfer from D.C. Public Library, 1967.72.146
Gothic Cottage
Dateca. 1936
drypoint
Not on view
Lawrence Kupferman, Portrait of a Girl, ca. 1936, drypoint, Smithsonian American Art Museum, Transfer from D.C. Public Library, 1967.72.141
Portrait of a Girl
Dateca. 1936
drypoint
Not on view

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Terry Schoonhoven, Study for Morning Room Murals, U. S. Court of Appeals, Pasadena, California, 1984, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1987.13.1
Study for Morning Room Murals, U. S. Court of Appeals,…
Date1984
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Oqwa Pi, Dancer, ca. 1925-1930, watercolor, ink, and pencil on paperboard, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.73
Dancer
Artist
Dateca. 1925-1930
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Terry Schoonhoven, Study for Morning Room Murals, U. S. Court of Appeals, Pasadena, California, 1984, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1987.13.2
Study for Morning Room Murals, U. S. Court of Appeals,…
Date1984
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Pamela Colman Smith, Overture. "Egmont" Beethoven, 1907, watercolor, brush and ink, and pencil on paper, Smithsonian American Art Museum, Museum purchase, 1984.24
Overture. Egmont” Beethoven
Date1907
watercolor, brush and ink, and pencil on paper
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