Much Here Is Beautiful: Photography Surveys of the U​.​S. Bicentennial

Black and white photograph of a row of houses seen from a distance.

Ted Wathen, Former Company Houses, Jenkins, Letcher County, Kentucky, 1975, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.1614, © 1975, Ted Wathen

From the California coast to the Kansas heartland to the streets of New York City, the photographs in Much Here Is Beautiful: Photography Surveys of the U​.​S. Bicentennial offer an expansive and evocative portrait of America in the 1970s and early 1980s. Explore selected images from photography surveys that document people and places in the United States from the 19th century to the years before and after the U​.​S. Bicentennial in 1976

Description

To celebrate the U.S. Bicentennial in 1976, the milestone anniversary of the country’s founding, the National Endowment for the Arts (NEA) created a grant program to fund a series of regional photographic projects that documented both people and places across the country. Inspired by the legacy of the Farm Security Administration’s photographs during the Great Depression, the NEA envisioned these surveys as a new portrait of the nation, during a pivotal chapter in its history. Lasting for six years, the NEA funded more than 70 photo surveys, yielding thousands of pictures taken by more than 200 photographers. ​In 1983, 1,000 photographs by NEA grant recipients were transferred to the Smithsonian American Art Museum. Among the material received by the museum were prints from thirteen of the survey projects. 

Much Here Is Beautiful brings together, for the first time, 225 photographs that place the Bicentennial images within the broader legacy of federal survey photography dating back to the 19th century and its lasting impact on generations of artists. The exhibition's title comes from a line in the poem "American Journal" by Robert Hayden, who was the Consultant in Poetry to the Library of Congress (known today as the U.S. Poet Laureate) from 1976 to 1978. The 1970s surveys span four geographic sections of the country—Northeast, South, Midwest, and West. This exhibition is the culmination of years of research, drawing on the museum’s rich photography holdings and uncovering U.S. Bicentennial survey photographs held in collections nationwide, revealing new discoveries and previously unseen works. 

A fully illustrated catalogue, published by Radius Books in partnership with SAAM, will be available for purchase ($65) in the museum’s store and online.

Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial is organized by John Jacob, the McEvoy Family Senior Curator for Photography and Krystle Stricklin, assistant curator of photography. 

Visiting Information

September 18, 2026 April 18, 2027
Open Daily, 11:30 a.m.–7:00 p.m
Free Admission

Events

15
Thursday
Oct
Much Here Is Beautiful Gallery Talk
Thursday, October 15, 2026, 5:30 – 6:30pm EDT
Free | Registration required
Registration opens September 15
20
Tuesday
Oct
Art in the A​.​M.
Tuesday, October 20, 2026, 10:30am EDT
Free | Registration required

Participants must register by noon ET on October 19.
17
Tuesday
Nov
Free | Registration encouraged

Publications

Three quarter view of the "Much Here Is Beautiful" catalogue.
Much Here Is Beautiful
Much Here Is Beautiful brings together, for the first time, photography surveys commissioned by the National Endowment for the Arts (NEA) in the years surrounding the 1976 U.S. Bicentennial. This volume is a companion to SAAM's exhibition and includes histories for all seventy-two surveys, in addition to hundreds of beautiful reproductions from many of them.

Credit

Much Here is Beautiful: Photography Surveys of the US Bicentennial is organized by the Smithsonian American Art Museum. Major support is provided by the Elizabeth Broun Curatorial Endowment, Ronald Costell, Nion McEvoy and Leslie Berriman, the Charles Robertson Exhibitions Endowment, the Bernie Stadiem Endowment Fund, and Trellis Charitable Fund. Generous support is provided by Michael Abrams and Sandra Stewart, the Joanne and Richard Brodie Exhibitions Endowment, Crown Equipment Exhibitions Endowment, Daniel W. Hamilton, the Margery and Edgar Masinter Exhibitions Fund, Amy Sarah McCombs, Minami Legacy Fund for the Arts, MurthyNAYAK Foundation, the David and Anne Sellin Exhibitions Endowment, and Lucille and Richard Spagnuolo.
 

Online Gallery

William Bell, Perched Rock, Rocker Creek, Arizona, 1872, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.16
Perched Rock, Rocker Creek, Arizona
Date1872
albumen silver print
Not on view
Joe Deal, Back Yard, Diamond Bar, CA, from the Los Angeles Documentary Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts through the Photography Museum of Los Angeles, 1990.38.21, © 1980, Joe Deal
Back Yard, Diamond Bar, CA, from the Los Angeles…
Date1980
gelatin silver print
Not on view
Linda Eber, Did You Know?, Ocean Front Walk, 1982, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.406, © 1982 Linda J. Eber
Did You Know?, Ocean Front Walk
Date1982
gelatin silver print
Not on view
Emmet Gowin, Mount St. Helens, Washington, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.632, © 1980, Emmet Gowin
Courtesy Pace/MacGill, New York
Mount St. Helens, Washington
Date1980
gelatin silver print
Not on view
Robert K. Hower, July 4, 1976, Louisville, KY, 1976, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.789, ©1976, Robert K. Hower
July 4, 1976, Louisville, KY
Date1976
gelatin silver print
Not on view
Robert Townsend Jones Jr., Cotton Row Cafeteria, Center Lane Alley, Memphis, TN, February 1978, 1978, printed 2025, gelatin silver print, Smithsonian American Art Museum, Museum purchase, 2026.6.4
Cotton Row Cafeteria, Center Lane Alley, Memphis, TN,…
Date1978, printed 2025
gelatin silver print
Not on view
Reagan Louie, Golden Dragon Restaurant, Washington and Waverly, 1979, printed 2025, inkjet print, Smithsonian American Art Museum, Gift of Lucille and Richard Spagnuolo and museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2026.13.10, © 2026, Reagan Louie
Golden Dragon Restaurant, Washington and Waverly
Date1979, printed 2025
inkjet print
Not on view
David Seman, Masten, from the Buffalo, New York Documentary Survey Project, 1979, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.1243
Masten, from the Buffalo, New York Documentary Survey…
Date1979
gelatin silver print
Not on view
Ted Wathen, Former Company Houses, Jenkins, Letcher County, Kentucky, 1975, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.1614, © 1975, Ted Wathen
Former Company Houses, Jenkins, Letcher County, Kentucky
Date1975
gelatin silver print
Not on view
Carleton E. Watkins, El Capitan, ca. 1860s, albumen silver print, Smithsonian American Art Museum, Gift of Isaac Lagnado, 1992.78
El Capitan
Dateca. 1860s
albumen silver print
Not on view
Marion Post Wolcott, A woman from New Jersey picking beans. Hampers are heavy and must be moved along as one picks. Homestead, Florida, 1939, printed later, gelatin silver print, Smithsonian American Art Museum, Gift of Dr. John H. and Jann Arrington Wolcott, 1998.120.46
A woman from New Jersey picking beans. Hampers are heavy…
Date1939, printed later
gelatin silver print
Not on view