Smithsonian American Art Museum Extends Critically Acclaimed Exhibition Between Worlds: The Art of Bill Traylor” for Three Weeks Through April 7 

Museum Was Closed for 27 Days During Partial Government Shutdown

The critically acclaimed exhibition “Between Worlds: The Art of Bill Traylor” will remain open to the public through Sunday, April 7, allowing visitors an additional three weeks to experience this major retrospective. The exhibition brings together 155 drawings and paintings from 51 public institutions and private collections to provide the most encompassing and in-depth study of the artist to date. In a tremendous show of support, all lenders agreed to the extension.

Organized by Leslie Umberger, curator of folk and self-taught art at the Smithsonian American Art Museum, the exhibition presents a comprehensive picture of Traylor’s stylistic development and artistic themes, explored in the context of the profoundly different worlds Traylor’s life bridged: rural and urban, black and white, old and new. The museum is the sole venue for this exhibition, which was long awaited by enthusiasts, scholars and collectors. “Between Worlds” was called “a stunning retrospective” by The New Yorker, and was listed among the top 10 exhibitions of 2018 by critics at The New York Times and The Washington Post.

“Rarely do the stars align to allow us to extend an exhibition of this scale with so many lenders from around the country and the world,” said Stephanie Stebich, the Margaret and Terry Stent Director at the Smithsonian American Art Museum. “We are deeply grateful to the collectors, museums and foundations—each and every one of whom agreed to extend their loan—for their continued generosity in sharing these important works with the American public.”

“It is only with extraordinary effort and cooperation that an exhibition of this magnitude can be extended, and in this case we were fortunate to have many like minds share the belief that Bill Traylor’s most shining moment should not be cut short,” said Umberger.

More than 575,000 visitors have come through the museum’s doors since the exhibition opened Sept. 28, 2018. The museum estimates that 150,000 visitors were not able to see the exhibition when the Smithsonian museums were closed from Jan. 2 through Jan. 28 due to the partial government shutdown. The exhibition galleries were dark during this period, an important detail that allowed the fragile works on paper to remain on view for an additional few weeks.

Bill Traylor (ca. 1853–1949) is among the most important American artists of the 20th century. Born in antebellum Alabama, Traylor was an eyewitness to history—the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration and the steady rise of African American urban culture in the South. In the late 1930s, a decade after leaving plantation life and moving to the city of Montgomery, Alabama, Traylor took up pencil and paintbrush and created a visual autobiography, images on discarded cardboard extracted from his memories and experiences. When he died in 1949, Traylor left behind more than 1,000 works of art, the only known person born enslaved, and entirely self-taught, to create an extensive body of graphic artworks.


The exhibition is accompanied by a monograph written by Umberger with an introduction by acclaimed artist Kerry James Marshall, published by the Smithsonian American Art Museum in association with Princeton University Press. The book is available for purchase in the museum store and online ($60, hardcover).

Public Programs

On Friday, Feb. 22, the museum will present an afternoon of lectures and discussions inspired by the exhibition. Participants include: Radcliffe Bailey, artist; William Ferris, University of North Carolina at Chapel Hill; Randall Seth Morris, independent curator, writer, and co-owner of Cavin-Morris Gallery; Diana Baird N’Diaye, Smithsonian Center for Folklife and Cultural Heritage; Richard J. Powell, Duke University; and Umberger. Margaret Lynne Ausfeld from the Montgomery Museum of Fine Arts is the moderator. The program will be webcast live on the museum’s website and available for future viewing on the museum’s YouTube channel. A full program and schedule is available online. This program is the inaugural symposium in the Margaret Z. Robson Symposium Series. Support for the series is provided by Douglas O. Robson.

Friday, March 1, at 7 p.m., the museum presents a special improvisational jazz performance inspired by Traylor’s art with guitarist Marvin Sewell and pianist Jason Moran. Tickets for “Bill Traylor Blue” are available for purchase online ($25).


This exhibition is organized by the Smithsonian American Art Museum with support from ART MENTOR FOUNDATION LUCERNE, Elizabeth Broun, Faye and Robert Davidson, Sheila Duignan and Mike Wilkins, Josh Feldstein, Jocelin Hamblett, Herbert Waide Hemphill Jr. American Folk Art Fund, Just Folk/Marcy Carsey and Susan Baerwald, Lucas Kaempfer Foundation, Marianne and Sheldon B. Lubar, Margery and Edgar Masinter Exhibitions Fund, Morton Neumann Family Foundation, Douglas O. Robson in honor of Margaret Z. Robson, Jeanne Ruddy and Victor Keen, Judy A. Saslow, and Kelly Williams and Andrew Forsyth.

About the Smithsonian American Art Museum and its Renwick Gallery

The Smithsonian American Art Museum is the flagship museum in the United States for American art and craft. It is home to one of the most significant and inclusive collections of American art in the world. The museum’s main building, located at Eighth and G streets N.W., is open daily from 11:30 a.m. to 7 p.m. The museum’s Renwick Gallery, a branch museum dedicated to contemporary craft, is located on Pennsylvania Avenue at 17th Street N.W. and is open daily from 10 a.m. to 5:30 p.m. Check online for current hours and admission information. Admission is free. Follow the museum on Facebook, Instagram, Twitter and YouTube. Smithsonian information: (202) 633-1000. Museum information (recorded): (202) 633-7970. Website:

Press Images

A drawing of two figures dancing with a dog.
Press - Traylor


Bill Traylor, Untitled (Man, Woman, and Dog), 1939, crayon and pencil on paperboard. Smithsonian American Art Museum; Gift of Herbert Waide Hemphill, Jr., and museum purchase made possible by Ralph Cross Johnson© 1994, Bill Traylor Family Trust.Photo by Mindy Barrett