Isamu Noguchi

The Art of Gaman showcases arts and crafts made by Japanese Americans in U.S. internment camps during World War II. Soon after the bombing of Pearl Harbor in December 1941, all ethnic Japanese on the West Coast—more than two-thirds of whom were American citizens by birth—were ordered to leave their homes and move to ten inland internment camps for the duration of the war. While in these bleak camps, the internees used scraps and found materials to make furniture and other objects to beautify their surroundings. Arts and crafts became essential for simple creature comforts and emotional survival. These objects—tools, teapots, furniture, toys and games, musical instruments, pendants and pins, purses and ornamental displays—are physical manifestations of the art of gaman, a Japanese word that means to bear the seemingly unbearable with dignity and patience.

Isamu Noguchi (1904-1988) was among the most innovative American sculptors of the twentieth century, creating works that were far ahead of his time. His design for Sculpture to Be Seen from Mars (1947) anticipates the space age by several decades. Yet Noguchi frequently found inspiration in ancient art and architecture, from Egyptian pyramids, to Buddhist temples and Zen gardens, to American Indian burial mounds. The exhibition Isamu Noguchi, Archaic/Modern explores how the ancient world shaped this artist’s innovative vision for the future.