Artist

Leonard Castellanos

born Los Angeles, CA 1943
Also known as
  • Leonardo Castellanos
Born
Los Angeles, California, United States
Active in
  • Arroyo Seco, New Mexico, United States

Works by this artist (23 items)

Loïs Mailou Jones, Les Fétiches, 1938, oil on linen, Smithsonian American Art Museum, Museum purchase made possible by Mrs. Norvin H. Green, Dr. R. Harlan, and Francis Musgrave, 1990.56
Les Fétiches
Date1938
oil on linen
On view
Loïs Mailou Jones, Jardin du Luxembourg, ca. 1948, oil on canvas, Smithsonian American Art Museum, Gift of Gladys P. Payne in honor of Alice P. Moore, 1990.7
Jardin du Luxembourg
Dateca. 1948
oil on canvas
Not on view
Loïs Mailou Jones, Woman with Necklace, n.d., watercolor on paper, Smithsonian American Art Museum, Bequest of the artist, 2006.24.17
Woman with Necklace
Daten.d.
watercolor on paper
Not on view
Loïs Mailou Jones, Greetings, ca. 1937-1948, pen and ink on paper, Smithsonian American Art Museum, Bequest of the artist, 2006.24.15
Greetings
Dateca. 1937-1948
pen and ink on paper
Not on view

Exhibitions

Media - 2011.12 - SAAM-2011.12_1 - 77591
Our America: The Latino Presence in American Art
October 25, 2013March 2, 2014
Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.
Media - 2012.53.1 - SAAM-2012.53.1_1 - 82036
¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now
November 20, 2020August 8, 2021
In the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today.

Related Books

An artwork of a man with a mustache
¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now
Beginning in the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today. Many artists came of age during the civil rights, labor, anti-war, feminist and LGBTQ+ movements, and channeled the period’s social activism into assertive aesthetic statements that announced a new political and cultural consciousness among people of Mexican descent in the United States. The exhibition ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now presents, for the first time, historical civil rights-era prints by Chicano artists alongside works by graphic artists working from the 1980s to today.

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The groundbreaking exhibition explores how Chicanx artists have linked innovative printmaking practices with social justice
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Rebekah Mejorado
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