Ghost Clock

Wendell Castle, Ghost Clock, 1985, bleached Honduras mahogany, Smithsonian American Art Museum, Museum purchase through the Smithsonian Institution Collections Acquisition Program, 1989.68, © 1985, Wendell Castle
Wendell Castle, Ghost Clock, 1985, bleached Honduras mahogany, 86 1424 1215 in. (219.062.238.1 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Institution Collections Acquisition Program, 1989.68, © 1985, Wendell Castle

Artwork Details

Title
Ghost Clock
Date
1985
Location
Not on view
Dimensions
86 1424 1215 in. (219.062.238.1 cm)
Copyright
© 1985, Wendell Castle
Credit Line
Museum purchase through the Smithsonian Institution Collections Acquisition Program
Mediums
Mediums Description
bleached Honduras mahogany
Classifications
Subjects
  • Object — other — linens
  • Fantasy — ghost
  • Object — furniture — clock
Object Number
1989.68

Artwork Description

At first glance Ghost Clock appears to be a grandfather clock hidden under a white sheet. However, a closer look reveals a masterful deception: this entire sculpture was hand-carved from a single block of laminated mahogany. With its meticulous detail, Castle re-created in wood the contours of soft, supple cloth, then completed the illusion by bleaching the "drapery" white and staining the base of the "clock" a walnut brown. This work is the last in a series of thirteen clocks the artist created in the 1980s; unlike the others, it lacks an inner mechanism. Its haunting stillness and silence suggest eternity--the absence of time.

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (3 items)

Sir William Beechey, Duke of Sussex, n.d., oil on canvas, Smithsonian American Art Museum, Bequest of Mabel Johnson Langhorne, 1956.11.10
Duke of Sussex
Daten.d.
oil on canvas
Not on view
Sir William Beechey, Unidentified (British), Mrs. Hawkins and Family, ca. 1818-1820, oil on canvas, Smithsonian American Art Museum, Bequest of Reverend F. Ward Denys, 1943.11.2
Mrs. Hawkins and Family
Artist
Unidentified (British)
Dateca. 1818-1820
oil on canvas
Not on view
Sir William Beechey, Miss Agnes Murray, n.d., oil on canvas, Smithsonian American Art Museum, Bequest of Harriet Lane Johnston, 1906.9.1
Miss Agnes Murray
Artist
Daten.d.
oil on canvas
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Jack Lenor Larsen, Remoulade, 1956, linen, cotton, rayon, silk, wool, jute, nylon, and metallic threads, Smithsonian American Art Museum, Gift of the artist, 1983.103, © 1956, Jack Lenor larsen, Inc.
Remoulade
Date1956
linen, cotton, rayon, silk, wool, jute, nylon, and metallic threads
Not on view
One Patch, Triangles variation
Artist
Attributed to Mrs. D. Miller
Dateca.1930
cotton and wool
Not on view
Nell Znamierowski, Icarus, 1969, woven wool and linen, Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc., 1977.118.1
Icarus
Date1969
woven wool and linen
Not on view
Marguerite Zorach, Untitled (Embroidered Bedspread), ca. 1918, linen fiber: tabby weave with plied wool yarn and chain stitch embroidery, Smithsonian American Art Museum, Gift of Helen Miller Obstler, 1985.52
Untitled (Embroidered Bedspread)
Dateca. 1918
linen fiber: tabby weave with plied wool yarn and chain stitch embroidery
Not on view