Box of Falling Stars

Lenore Tawney, Box of Falling Stars, 1984, cotton canvas, linen thread, acrylic paint, and ink, Approx. 108 × 68 × 70 in. (274.3 × 172.7 × 177.8 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Institution Collections Acquisition Program, 1992.83, © 1984, Lenore G. Tawney

Artwork Details

Title
Box of Falling Stars
Date
1984
Location
Not on view
Dimensions
Approx. 108 × 68 × 70 in. (274.3 × 172.7 × 177.8 cm)
Copyright
© 1984, Lenore G. Tawney
Credit Line
Museum purchase through the Smithsonian Institution Collections Acquisition Program
Mediums Description
cotton canvas, linen thread, acrylic paint, and ink
Classifications
Object Number
1992.83

Artwork Description

The truest thing in my life was my work. I wanted my life to be as true.
--Lenore Tawney

Box of Falling Stars represents the culmination of Lenore Tawney's journey to give shape to light. The work is an example of the artist's Clouds, a series of ethereal sculptures conceived in 1977. Tawney called Clouds "vertical weavings in volume" and "weavings without weaving" because they were not made on a loom, the device used to hold threads to weave into fabric. First, she drew a grid on the canvas support. At every intersection, she pulled a single linen thread through the canvas and secured it with a knot. She repeated this simple task thousands of times. The tedious process yields a cosmic effect. The fall of shimmering threads emulates the ways in which clouds (and stars) hold and diffract light. Box of Falling Stars heightens perception and mindfulness to the elements of life that often go unseen.

Works by this artist (4 items)

Osvaldo Salas, Rocky Marciano after fight with Ezzard Charles, 1955, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.35
Rocky Marciano after fight with Ezzard Charles
Date1955
gelatin silver print
Not on view
Osvaldo Salas, Sugar Ray Robinson with training bag, 1953, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.34
Sugar Ray Robinson with training bag
Date1953
gelatin silver print
Not on view
Osvaldo Salas, Sugar Ray Robinson, 1953, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.33
Sugar Ray Robinson
Date1953
gelatin silver print
Not on view
Osvaldo Salas, Archie Moore and Rocky Marciano, 1956, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.32
Archie Moore and Rocky Marciano
Date1956
gelatin silver print
Not on view

Exhibitions

Media - 2019.15 - SAAM-2019.15_1 - 137377
Subversive, Skilled, Sublime: Fiber Art by Women
May 31, 2024January 5, 2025
The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view