Alabama Wall I

William Christenberry, Alabama Wall I, 1985, metal and tempera on wood, Smithsonian American Art Museum, Museum purchase, 1986.8
William Christenberry, Alabama Wall I, 1985, metal and tempera on wood, 45 3850 12 in. (115.3128.3 cm.), Smithsonian American Art Museum, Museum purchase, 1986.8

Artwork Details

Title
Alabama Wall I
Date
1985
Location
Not on view
Dimensions
45 3850 12 in. (115.3128.3 cm.)
Credit Line
Museum purchase
Mediums
Mediums Description
metal and tempera on wood
Classifications
Subjects
  • Object — other — sign
  • Allegory — place — Alabama
  • Architecture — vehicle — detail
Object Number
1986.8

Artwork Description

William Christenberry grew up immersed in the landscape and history of the American South. Even after settling permanently in Washington, DC, in 1968, he continued to make an annual pilgrimage to his childhood home in Alabama, returning repeatedly to rural Hale County where he had spent summers on his grandparents' farm. The photographs, sculptures, and assemblages that Christenberry made throughout his career were inspired by his deep connection to this place, and the traditions, disruptions, and complicated social legacies that defined it. Alabama Wall I is a quilt of sorts: a rough homage to the region's culture made from found objects including license plates, advertising signs, and corrugated and rusted metal. The repeated number 36 is the license plate code for Hale County as well as the year of his birth, intimately joining the artist and landscape into a single form.

Works by this artist (91 items)

Elinor Cahn, Solomon Faiman, 1979, gelatin silver print, Smithsonian American Art Museum, Gift of the East Baltimore Documentary Photography Project, 2020.68.16
Solomon Faiman
Date1979
gelatin silver print
Not on view
Elinor Cahn, Helen Taylor, urban survivor. Her house had been burglarized more than twenty times. She was forced to move to a better protected, government subsidized apartment in Butchers Hill., ca. 1975, gelatin silver print, Smithsonian American Art Museum, Gift of the East Baltimore Documentary Photography Project, 2020.68.11
Helen Taylor, urban survivor. Her house had been…
Dateca. 1975
gelatin silver print
Not on view

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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
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