Apocalypse ​’42

Viktor Schreckengost, Apocalypse '42, 1942, terracotta and glaze with engobe, 15 3⁄8 x 20 3⁄8 x 8 1⁄8 in. (39.1 x 51.8 x 20.6 cm.), Smithsonian American Art Museum, Gift of the artist, 1985.92.1

Artwork Details

Title
Apocalypse ​’42
Artist
Date
1942
Location
Not on view
Dimensions
15 3⁄8 x 20 3⁄8 x 8 1⁄8 in. (39.1 x 51.8 x 20.6 cm.)
Credit Line
Gift of the artist
Mediums
Mediums Description
terracotta and glaze with engobe
Classifications
Subjects
  • Portrait male — Hitler, Adolf — caricature
  • Portrait male — Mussolini — caricature
  • Allegory — civic — fascism
  • Allegory — death
  • Religion — New Testament — Last Judgment
Object Number
1985.92.1
Linked Open Data
https://edan.si.edu/saam/id/object/1985.92.1

Artwork Description

I've always felt that you can say more with one vivid cartoon than you can with a lot of heavy words. -- Viktor Schreckengost

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (10 items)

View all artworks
Al Rendón, Don Socrates, 1998, printed 2015, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.6.7, © 1998, Al Rendón
Don Socrates
Artist
Date1998, printed 2015
gelatin silver print
Not on view
Al Rendón, Paso de la muerte, 2002, printed 2015, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.6.8, © 2002, Al Rendón
Paso de la muerte
Artist
Date2002, printed 2015
inkjet print
Not on view
Al Rendón, Charro showing roping skills, 1998, printed 2015, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.6.6, © 1998, Al Rendón
Charro showing roping skills
Artist
Date1998, printed 2015
gelatin silver print
Not on view
Al Rendón, Event Judges, 1995, printed 2015, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.6.5, © 1995, Al Rendón
Event Judges
Artist
Date1995, printed 2015
gelatin silver print
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015–March 6, 2022
Renwick Gallery
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

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William H. Johnson, Portrait of a Woman in Profile, ca. 1944, recto: pen and ink and pencil on paper verso: pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.485R-V
Portrait of a Woman in Profile
Artist
Dateca. 1944
recto: pen and ink and pencil on paper verso: pen and ink on paper
Not on view
Joseph Cornell, "D" in Descartes, 1971, collage with ink, pencil and stamps on paperboard, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.362
“D” in Descartes
Artist
Date1971
collage with ink, pencil and stamps on paperboard
Not on view
Harold Tovish, Particles II, 1971, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.64
Particles II
Artist
Date1971
pen and ink and pencil on paper
Not on view
Philip Guston, Head of a Woman, 1931, pen and ink, conte crayon, and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Director's Discretionary Fund, 1987.2
Head of a Woman
Artist
Date1931
pen and ink, conte crayon, and pencil on paper
Not on view