Aquatic Gardens

Alma Thomas, Aquatic Gardens, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.7
Alma Thomas, Aquatic Gardens, 1973, acrylic on canvas, 7252 in. (182.8132.1 cm), Smithsonian American Art Museum, Bequest of the artist, 1980.36.7

Artwork Details

Title
Aquatic Gardens
Artist
Date
1973
Dimensions
7252 in. (182.8132.1 cm)
Credit Line
Bequest of the artist
Mediums
Mediums Description
acrylic on canvas
Classifications
Subjects
  • Abstract
Object Number
1980.36.7

Artwork Description

Aquatic Gardens may have been inspired by a visit to Kenilworth Aquatic Gardens, a national park in Washington, DC, devoted to the cultivation of water plants. The park features vast stretches of ponds filled with water lilies and lotuses.

Thomas did not paint outdoors, considering this to be an old-fashioned approach. She instead sought out sensory experiences she later translated into painting in her studio. She once explained that she visited gardens “not to paint but to get impressions. A friend of mine goes. . . and gets every leaf. I said I’d go crazy doing that. I told him, ‘Just go and look. It settles you, and then you don’t need to look at it anymore.’”

Works by this artist (30 items)

Alma Thomas, Snoopy--Early Sun Display on Earth, 1970, acrylic on canvas, Smithsonian American Art Museum, Gift of Vincent Melzac, 1976.140.1
Snoopy – Early Sun Display on Earth
Date1970
acrylic on canvas
On view
Alma Thomas, Autumn Leaves Fluttering in the Breeze, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.9
Autumn Leaves Fluttering in the Breeze
Date1973
acrylic on canvas
On view
Alma Thomas, Aquatic Gardens, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.7
Aquatic Gardens
Date1973
acrylic on canvas
On view

Exhibitions

Alma Thomas, The Eclipse, 1970, acrylic on canvas
Composing Color: Paintings by Alma Thomas
September 15, 2023August 4, 2024
The exhibition Composing Color: Paintings by Alma Thomas provides an intimate view of Alma Thomas’ evolving artistic practices during her most prolific period from 1959 to her death in 1978.

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