Brooklyn Bridge, Water and Dock Streets, Brooklyn

Berenice Abbott, Brooklyn Bridge, Water and Dock Streets, Brooklyn, 1936, gelatin silver print, Smithsonian American Art Museum, Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration, 1975.83.10
Berenice Abbott, Brooklyn Bridge, Water and Dock Streets, Brooklyn, 1936, gelatin silver print, sheet: 1814 38 in. (45.736.6 cm.), Smithsonian American Art Museum, Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration, 1975.83.10

Artwork Details

Title
Brooklyn Bridge, Water and Dock Streets, Brooklyn
Date
1936
Location
Not on view
Dimensions
sheet: 1814 38 in. (45.736.6 cm.)
Credit Line
Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration
Mediums Description
gelatin silver print
Classifications
Subjects
  • Cityscape — street — Water Street
  • Cityscape — New York — Brooklyn
  • Cityscape — New York — New York
  • Architecture — bridge — Brooklyn Bridge
  • Cityscape — street — Dock Street
  • Architecture — industry
  • New Deal — Works Progress Administration, Federal Art Project — New York
Object Number
1975.83.10

Artwork Description

Berenice Abbott returned home in 1929 after nearly eight years abroad and found herself fascinated by the rapid growth of New York City. She saw the city as bristling with new buildings and structures that seem to her as solid and as permanent as a mountain range. Aiming to capture “the past jostling the present,” Abbott spent the next five years on a project she called Changing New York.
In Brooklyn Bridge, Water and Dock Streets, Brooklyn, Abbott presented a century of history in a single image. The Brooklyn Bridge, once a marvel of modern engineering, seems dark and heavy compared with the skeletal structure beneath it. The construction site at center suggests the never-ending cycle of death and regeneration. And the Manhattan skyline, veiled and weightless, hangs just out of reach, its shape accommodating the ambitious spirit of American modernism.


A Democracy of Images: Photographs from the Smithsonian American Art Museum, 2013

Works by this artist (12 items)

A. Mouron Cassandre, Versatility, from the Early Series, 1937, gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.60
Versatility, from the Early Series
Date1937
gouache on paperboard
Not on view
A. Mouron Cassandre, Paradox, from the Early Series, 1937, gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.56
Paradox, from the Early Series
Date1937
gouache on paperboard
Not on view
A. Mouron Cassandre, Integration, from the Early Series, 1937, gouache and scratchwork on prepared paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.54
Integration, from the Early Series
Date1937
gouache and scratchwork on prepared paper
Not on view
A. Mouron Cassandre, Mobilization, from the Early Series, 1937, gouache and scratchwork on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.55
Mobilization, from the Early Series
Date1937
gouache and scratchwork on paperboard
Not on view

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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
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Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view