Shin’s sculptures and installations are at once rigorously formal and emotionally resonant, mass-produced yet insistently handmade. They reference a wide range of art historical precedents, from minimalism, with its unyielding repetition of singular forms, to feminism, with its focus on traditional craft techniques, and Arte Povera, with its connection to everyday life.
The body is a central metaphor in Shin’s work, born from her study of anatomy, life drawing, and figurative painting. The donated items she gathers from friends, relatives, colleagues, and community members serve as surrogates for their original owners by referencing the body both physically and metaphorically. This relationship is particularly evident in Chemical Balance III.
Chemical Balance III deals with the production, commodification, and consumption of commercial goods. Thousands of empty prescription pill bottles are stacked into towering arrangements that resemble natural forms such as stalactites. The installation speaks to our culture’s overconsumption of prescription drugs and our dependency on these medications to correct or alter our internal chemical balance. The containers were collected from nursing homes, pharmacies, friends and family of the artist. The addition of artificial illumination inside each structure functions as a metaphor for the relief and renewed optimism that comes from restored health after an illness.
Chemical Balance III was featured in the 2009 exhibition Jean Shin: Common Threads.
Smithsonian American Art Museum, 2010
Chemical Balance III
- Not on view
- 5 units 18 to 40 in. (45.7 to 101.6 cm) diameter
© 2009, Jean Shin
- Credit Line
Smithsonian American Art Museum
Gift of an anonymous donor in honor of YoungArts, the core program of the National Foundation for Advancement in the Arts
- Mediums Description
- prescription pill bottles, acrylic mirrors, epoxy, fluorescent lights
- Object Number
- Linked Open Data
- Linked Open Data URI