Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846 – 1848

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Eric J. García, Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848, 2015, offset lithograph, open: 6 × 23 in. (15.2 × 58.4 cm) closed: 6 × 5 3⁄4 in. (15.2 × 14.6 cm), Smithsonian American Art Museum, Museum purchase through the Lichtenberg Family Foundation, 2020.21.2R-V, © 2020, Eric J. García

Artwork Details

Title
Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846 – 1848
Artist
Date
2015
Location
Not on view
Dimensions
open: 6 × 23 in. (15.2 × 58.4 cm) closed: 6 × 5 3⁄4 in. (15.2 × 14.6 cm)
Copyright
© 2020, Eric J. García
Credit Line
Museum purchase through the Lichtenberg Family Foundation
Mediums Description
offset lithograph
Classifications
Object Number
2020.21.2R-V
Linked Open Data
https://edan.si.edu/saam/id/object/2020.21.2R-V

Works by this artist (18 items)

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Thomas Hart Benton, Wheat, 1967, oil on wood, Smithsonian American Art Museum, Gift of Mr. and Mrs. James A. Mitchell and museum purchase, 1991.55
Wheat
Artist
Date1967
oil on wood
On view
Thomas Hart Benton, Achelous and Hercules, 1947, tempera and oil on canvas mounted on plywood, Smithsonian American Art Museum, Gift of Allied Stores Corporation, and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1985.2
Achelous and Hercules
Artist
Date1947
tempera and oil on canvas mounted on plywood
On view
Thomas Hart Benton, Ten Pound Hammer, 1967, lithograph on paper, Smithsonian American Art Museum, Gift of Frank McClure, 1970.87
Ten Pound Hammer
Artist
Date1967
lithograph on paper
Not on view
Thomas Hart Benton, Gateside Conversation, 1946, lithograph on paper, Smithsonian American Art Museum, Gift of Frank McClure, 1970.91
Gateside Conversation
Artist
Date1946
lithograph on paper
Not on view

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John R. Ballator, Building St. John's (study for St. John's, Oregon, Post Office Mural), 1935, tempera and oil on fiberboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.1
Building St. John’s (study for St. John’s, Oregon, Post…
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William Zorach, Untitled (mural study), ca. 1941-1943, oil, tempera and pencil on plywood, Smithsonian American Art Museum, Gift from the collection of Tessim Zorach, 1968.154.87A
Untitled (mural study)
Artist
Dateca. 1941-1943
oil, tempera and pencil on plywood
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Gerald McLaughlin, "Act as if the whole election depended on your single vote, and as if the whole Parliament (and therein the whole nation) on that single person whom you now choose to be a member of it." John Wesley from A word to a Freeholder, 1748. From the series Great Ideas., 1956, tempera and oil on fiberboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.198
“Act as if the whole election depended on your single vote,…
Artist
Date1956
tempera and oil on fiberboard
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Paul Cadmus, Aspects of Suburban Life: Golf, 1936, oil and tempera on fiberboard, Smithsonian American Art Museum, Transfer from the U.S. Department of State, 1978.76.1
Aspects of Suburban Life: Golf
Artist
Date1936
oil and tempera on fiberboard
On view