The Chief’s Canoe

Belmore Browne, The Chief's Canoe, 1926, oil on canvas, Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1964.18.1
Belmore Browne, The Chief's Canoe, 1926, oil on canvas, sight 35 1447 18 in. (89.5119.8 cm), Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1964.18.1

Artwork Details

Title
The Chief’s Canoe
Date
1926
Location
Not on view
Dimensions
sight 35 1447 18 in. (89.5119.8 cm)
Credit Line
Bequest of Henry Ward Ranger through the National Academy of Design
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — Alaska
  • Travel — water — canoe
  • Landscape — phenomenon — glacier
  • Indian — Tlingit
  • Portrait male — Shakes
Object Number
1964.18.1

Artwork Description

An artist and mountaineer, Belmore Browne created paintings that capture his explorations of Alaska, Washington State, and the Canadian Rockies. The Chief's Canoe is based on a voyage he made down Alaska's Stikine River in the early 1900s with Chief Shakes of the Tlingit Indian tribe in his keahtyant (war canoe). The imposing formation in the background is Shoup Glacier, near which Browne had camped on a previous trip. He wrote that he originally intended to use a different glacier, but decided against it because it "did not quite fit the composition." Contemporary critics praised Browne's ability "to render not mere fact, but emotion, to interpret truly the impression of grandeur and bigness [found] in the awe-inspiring presence of these great manifestations of nature untouched by man." This painting captures the moment the canoe sails beyond the shadow of a large rock as its occupants come face to face with the glacier. The figures provide a scale by which to judge the glacier's immensity, even if we have never seen one in real life.

Works by this artist (2 items)

Roland Clark, Sundown, ca. 1927, etching on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.56
Sundown
Dateca. 1927
etching on paper
Not on view
Roland Clark, A Mallard Marsh, n.d., drypoint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.57
A Mallard Marsh
Daten.d.
drypoint
Not on view

More Artworks from the Collection

Edward Sachse, Smithsonian Institute, ca. 1855, hand-colored lithograph, Smithsonian American Art Museum, Gift of Al Marzorini in honor of Harry Lowe, 2019.23
Smithsonian Institute
Dateca. 1855
hand-colored lithograph
Not on view
Marching As to War
Daten.d.
color etching
Not on view
Pharoh’s Horses
Artist
Unidentified (British)
Daten.d.
engraving
Not on view