Comanche Village, Women Dressing Robes and Drying Meat

George Catlin, Comanche Village, Women Dressing Robes and Drying Meat, 1834-1835, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.346
George Catlin, Comanche Village, Women Dressing Robes and Drying Meat, 1834-1835, oil on canvas, 2027 14 in. (50.969.3 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.346
Free to use

Artwork Details

Title
Comanche Village, Women Dressing Robes and Drying Meat
Date
1834-1835
Location
Not on view
Dimensions
2027 14 in. (50.969.3 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Occupation — domestic — cooking
  • Animal — dog
  • Indian — Comanche
  • Architecture Exterior — domestic — teepee
  • Figure group
Object Number
1985.66.346

Artwork Description

“The village of the Camanchees,” George Catlin wrote, “is composed of six or eight hundred skin-covered lodges, made of poles and buffalo skins, in the manner precisely as those of the Sioux and other Missouri tribes . . . This village with its thousands of wild inmates, with horses and dogs, and wild sports and domestic occupations, presents a most curious scene; and the manners and looks of the people, a rich subject for the brush and the pen . . . In the view I have made of it, but a small portion of the village is shewn; which is as well as to shew the whole of it, inasmuch as the wigwams, as well as the customs, are the same in every part of it. In the foreground is seen the wigwam of the chief; and in various parts, crotches and poles, on which the women are drying meat, and ‘graining’ buffalo robes.” The artist sketched this image at a Comanche village in 1834. (Catlin, Letters and Notes, vol. 2, no. 42, 1841; reprint 1973)

Works by this artist (60 items)

Marion Post Wolcott, Picketing copper miners on strike waiting for the "scabs" (strikebreakers) to come out of the mine. Ducktown, Tennessee, 1939, printed later, gelatin silver print, Smithsonian American Art Museum, Gift of Dr. John H. and Jann Arrington Wolcott, 1998.120.50
Picketing copper miners on strike waiting for the scabs” …
Date1939, printed later
gelatin silver print
Not on view
Marion Post Wolcott, Children of migrant workers. Near Homestead, Florida, 1939, printed later, gelatin silver print, Smithsonian American Art Museum, Gift of Dr. John H. and Jann Arrington Wolcott, 1998.120.49
Children of migrant workers. Near Homestead, Florida
Date1939, printed later
gelatin silver print
Not on view
Marion Post Wolcott, Counting ballots to see whether the town will go wet or dry. Woodstock, Vermont, 1940, printed later, gelatin silver print, Smithsonian American Art Museum, Gift of Dr. John H. and Jann Arrington Wolcott, 1998.120.47
Counting ballots to see whether the town will go wet or dry…
Date1940, printed later
gelatin silver print
Not on view
Marion Post Wolcott, Coney Island Lunch, ca. 1938, printed later, gelatin silver print, Smithsonian American Art Museum, Gift of Dr. John H. and Jann Arrington Wolcott, 1998.120.34
Coney Island Lunch
Dateca. 1938, printed later
gelatin silver print
Not on view

Exhibitions

Media - 1985.66.404 - SAAM-1985.66.404_1 - 9039
Picturing the American Buffalo: George Catlin and Modern Native American Artists
October 11, 2019March 13, 2020
Picturing the American Buffalo: George Catlin and Modern Native American Artists examines representations of buffalo and their integration into the lives of Native Americans on the Great Plains in the 1830s and in the twentieth century.

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Bently
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view