David Beck, Dodos en Suite, 2010, bronze, Smithsonian American Art Museum, Gift of the artist in honor of Elizabeth Broun, 2016.53A-G
Beck's Dodos en Suite consists of seven bronze casts of the famously extinct bird. Each one is handsomely chased, richly patinated, and uniquely posed atop a round bronze socle, which is then mounted on a carved block of wood. The elaborate presentation recalls eighteenth-century French portrait sculpture, humorously suggesting that Beck's dodos are on an equal footing with Voltaire, Rousseau, and other venerable men of the Enlightenment era, many of whom collected natural specimens.
Beck became enchanted with dodos around 1976 after seeing a display at the American Museum of Natural History in New York. The presentation was an imaginative composite, since dodos suffered extinction in 1681 and no complete specimens survive. The artist was inspired to create his own romantic version of this mysterious creature and drew, painted, and sculpted numerous versions of the flightless, "disastrously trusting bird" that has become a symbol of extinction.
Dodos en Suite presents the species as admirable and beautiful, countering its reputation for being dim-witted and ill-proportioned. Beck's titles of each sculpture suggest human behavior, from the palpable tenderness of Mother with Child, to the vanity of Preening a Wing, or the paranoia of Looking over His Shoulder. Some hazardously perch on one foot or tip so far down that they seem about to tumble off their pedestals, yet each one carries on with its activity, blissfully unaware of its precarious position in nature.
Dodos en Suite
- On View
each: approx. 15 × 5 1/2 × 5 1/2 in. (38.1 × 14.0 × 14.0 cm)
- Credit Line
Smithsonian American Art Museum
Gift of the artist in honor of Elizabeth Broun
- Mediums Description
- Animal – bird – dodo
- Object Number
- Linked Open Data
- Linked Open Data URI