Full Moon

Toshiko Takaezu, Full Moon, 1978, stoneware and glaze, 27 3429 12 in. (70.574.9 cm.), Smithsonian American Art Museum, Museum purchase and gift of the James Renwick Alliance, 1989.36.2

Artwork Details

Title
Full Moon
Date
1978
Location
Not on view
Dimensions
27 3429 12 in. (70.574.9 cm.)
Credit Line
Museum purchase and gift of the James Renwick Alliance
Mediums
Mediums Description
stoneware and glaze
Classifications
Subjects
  • Abstract
  • Allegory — place — extraterrestrial
Object Number
1989.36.2

Artwork Description

One of Toshiko Takaezu's “closed forms,” the unseen interior cavity of this ceramic sculpture suggests the protected space of an egg. To create these forms, Takaezu threw a pot at her wheel, then coiled and hand built the clay into a nearly closed spheroid. She often placed pieces of paper and clay inside before firing that became rattling ceramic beads in the kiln.


Many species of birds, like ducks, communicate with each other before they hatch. They peep and click from inside their eggs to synchronize their emergence, preparing the family to leave the nest together. Like chattering eggs in a nest, Takaezu’s closed forms conjure new imaginings about the tenderness of home.


This Present Moment: Crafting a Better World, 2022

Works by this artist (21 items)

David Haxton, Vertical and Receding Lines, 1974, 16mm film, black and white, silent; 05:30 minutes, Smithsonian American Art Museum, Gift of the artist, 2011.15.2, © 1974, David Haxton
Vertical and Receding Lines
Date1974
16mm film, black and white, silent; 05:30 minutes
Not on view
David Haxton, Cutting Light and Dark Holes, from Sixteen Films, 1974, 16mm film on digital video, black and white, silent; 08:00 minutes, Smithsonian American Art Museum, Gift of the artist, 2014.50.1.3, © 1974, David Haxton
Cutting Light and Dark Holes, from Sixteen Films
Date1974
16mm film on digital video, black and white, silent; 08:00 minutes
Not on view
David Haxton, Vertical and Receding Lines, from Sixteen Films, 1974, 16mm film on digital video, black and white, silent; 06:00 minutes, Smithsonian American Art Museum, Gift of the artist, 2014.50.1.2, © 1974, David Haxton
Vertical and Receding Lines, from Sixteen Films
Date1974
16mm film on digital video, black and white, silent; 06:00 minutes
Not on view
David Haxton, Bringing Lights Forward, from Sixteen Films, 1970, 16mm film on digital video, black and white, silent; 04:00 minutes, Smithsonian American Art Museum, Gift of the artist, 2014.50.1.1, © 1970, David Haxton
Bringing Lights Forward, from Sixteen Films
Date1970
16mm film on digital video, black and white, silent; 04:00 minutes
Not on view

More Artworks from the Collection

David Haxton, Vertical and Receding Lines, 1974, 16mm film, black and white, silent; 05:30 minutes, Smithsonian American Art Museum, Gift of the artist, 2011.15.2, © 1974, David Haxton
Vertical and Receding Lines
Date1974
16mm film, black and white, silent; 05:30 minutes
Not on view
Hans Breder, Quanta, 1967, single-channel video, color, silent; 03:46 minutes, Smithsonian American Art Museum, Gift of the artist, 2013.50.4, © 1967, Hans Breder
Quanta
Date1967
single-channel video, color, silent; 03:46 minutes
Not on view
Eureka
Date1974
16 mm Plus-X print, black and white, silent; 30:00 minutes
Not on view
Carolee Schneemann, Viet Flakes, 1965, 16mm film transferred to video, toned black & white, sound; 07:00 minutes, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.9, © 1965 Carolee Schneemann Foundation. Courtesy Electronic Arts Intermix, NY
Viet Flakes
Date1965
16mm film transferred to video, toned black & white, sound; 07:00 minutes
Not on view