Hmong Veteran, from the series Attention

Pao Houa Her, Hmong Veteran, from the series Attention, 2013, archival pigment print mounted on aluminum composite, framed, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center, 2023.34.1.3, Courtesy of the artist and Bockley Gallery. © Pao Houa Her
Pao Houa Her, Hmong Veteran, from the series Attention, 2013, archival pigment print mounted on aluminum composite, framed, 52 38 × 42 14 × 1 38 in. (133.0 × 107.3 × 3.5 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center, 2023.34.1.3, Courtesy of the artist and Bockley Gallery. © Pao Houa Her

Artwork Details

Title
Hmong Veteran, from the series Attention
Artist
Date
2013
Location
Not on view
Dimensions
52 38 × 42 14 × 1 38 in. (133.0 × 107.3 × 3.5 cm)
Copyright
Courtesy of the artist and Bockley Gallery. © Pao Houa Her
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center
Mediums Description
archival pigment print mounted on aluminum composite, framed
Classifications
Subjects
  • Portrait male
  • Occupation — military
  • Dress — uniform — military uniform
Object Number
2023.34.1.3

Artwork Description

Pao Houa Her created the Attention series after attending a distant uncle's funeral, where to her surprise she witnessed a military-style ceremony performed by Hmong men in uniform. The men told Her they were not affiliated with any branch of the US military. They had learned the burial rites from YouTube videos, and had purchased all their uniforms, pins, and medals.   

The men belonged to the Special Guerrilla Units that had been trained and led into combat by the CIA in Laos during the Vietnam War, in which an estimated thirty-five thousand Hmong soldiers died. After the war, these veterans and their families fled to the United States, establishing today's Hmong American diaspora. Echoing traditions of official portraiture in Western art, Her's photographs express the men's continuing desire to re-insert themselves into US military history through self-fashioning, drawing attention to their omission from official narratives.

Works by this artist (4 items)

Ted Gordon, Cat, 1969, felt-tipped pen and ink and collage on paperboard, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak, 1982.114.2
Cat
Date1969
felt-tipped pen and ink and collage on paperboard
Not on view
Ted Gordon, Orange Face, 1982, colored pencil on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.110
Orange Face
Date1982
colored pencil on paper
Not on view
Ted Gordon, (Untitled--Cat), 1982, ballpoint pen and ink, felt-tipped pen and ink, crayon and, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak, 1983.56
(Untitled – Cat)
Date1982
ballpoint pen and ink, felt-tipped pen and ink, crayon and
Not on view
Ted Gordon, (Untitled--Face), 1979, felt-tipped pen and ink, ballpoint pen and ink, and pencil on paperboard, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak, 1982.114.3
(Untitled – Face)
Date1979
felt-tipped pen and ink, ballpoint pen and ink, and pencil on paperboard
Not on view

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view