The Iron Mine, Port Henry, New York

Homer Dodge Martin, The Iron Mine, Port Henry, New York, ca. 1862, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of William T. Evans, 1910.9.11
Homer Dodge Martin, The Iron Mine, Port Henry, New York, ca. 1862, oil on canvas mounted on fiberboard, 30 1850 in. (76.5127.0 cm.), Smithsonian American Art Museum, Gift of William T. Evans, 1910.9.11
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Artwork Details

Title
The Iron Mine, Port Henry, New York
Date
ca. 1862
Dimensions
30 1850 in. (76.5127.0 cm.)
Credit Line
Gift of William T. Evans
Mediums
Mediums Description
oil on canvas mounted on fiberboard
Classifications
Subjects
  • Landscape — New York — Port Henry
  • Landscape — water
  • Architecture — industry — mine
Object Number
1910.9.11
Research Notes

Artwork Description

The iron-ore bed in Craig Harbor near Port Henry, New York, was one of the richest veins in the northeast. Earlier artists had pictured America's mountain peaks and virgin forests, but by midcentury, the railroads, mines, and oil fields were the new and exciting scenes to paint. From a mineshaft that looks like a bleeding wound, tailings stream down the side of the cliff to the water, where ore was loaded onto barges. Nearby were the blast furnaces of the Bay State Iron Mine Company, which supplied the steel for America's railroads. Railways in turn carried more raw materials to the nation's burgeoning factories. Painted during the Civil War, Martin's canvas quietly asserted the primacy of the North, whose strength lay in its natural resources and manufacturing.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (7 items)

Homer Dodge Martin, The Iron Mine, Port Henry, New York, ca. 1862, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of William T. Evans, 1910.9.11
The Iron Mine, Port Henry, New York
Dateca. 1862
oil on canvas mounted on fiberboard
On view
Homer Dodge Martin, Upper Ausable Lake, 1868, oil on canvas, Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.44
Upper Ausable Lake
Date1868
oil on canvas
On view
Homer Dodge Martin, William James Linton, Landscape, n.d., wood engraving, Smithsonian American Art Museum, Transfer from the National Museum of American History, Division of Graphic Arts, Smithsonian Institution, 1971.240
Landscape
Daten.d.
wood engraving
Not on view
Homer Dodge Martin, Wild Coast, Newport, ca. 1885-1895, oil on canvas, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.72
Wild Coast, Newport
Dateca. 1885-1895
oil on canvas
Not on view

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      In this podcast, curator Eleanor Jones Harvey discusses 6 featured paintings from The Civil War and American Art exhibition. This episode looks at The Iron Mine, Port Henry, New York by Homer Dodge Martin. The Civil War and American Art examines how America's artists represented the impact of the Civil War and its aftermath. The exhibition follows the conflict from palpable unease on the eve of war, to heady optimism that it would be over with a single battle, to a growing realization that this conflict would not end quickly and a deepening awareness of issues surrounding emancipation and the need for reconciliation. Genre and landscape painting captured the transformative impact of the war, not traditional history painting.

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      Round Island, a Warrior
      Date1831
      oil on canvas
      Not on view
      A. Patrick, Mrs. Benajah Johnson, 1830, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Frank Cummings Cook, 1966.71.2
      Mrs. Benajah Johnson
      Date1830
      oil on canvas
      Not on view