Katherine Hemmick Johnson

Alice Pike Barney, Katherine Hemmick Johnson, pastel on paper mounted on canvas, Smithsonian American Art Museum, Gift of Patricia Highleyman Daly, 1982.79
Alice Pike Barney, Katherine Hemmick Johnson, pastel on paper mounted on canvas, 42 1828 in. (107.071.1 cm), Smithsonian American Art Museum, Gift of Patricia Highleyman Daly, 1982.79
Free to use

Artwork Details

Title
Katherine Hemmick Johnson
Location
Not on view
Dimensions
42 1828 in. (107.071.1 cm)
Credit Line
Gift of Patricia Highleyman Daly
Mediums
Mediums Description
pastel on paper mounted on canvas
Classifications
Subjects
  • Portrait female — Johnson, Katherine Hemmick — knee length
  • Object — flower
Object Number
1982.79

Artwork Description

Alice Pike Barney created several portraits of her friends and associates in Washington, D.C., documenting the lifestyles of contemporary polite society. Katharine Hemmick Johnson (1880–1955) was the daughter of the consul to Geneva, Switzerland. After attending school in Paris, she moved to D.C. to live with her aunt and uncle. An active participant on the social scene, Johnson made her societal debut in the early 1900s and attended dances at the White House. At one such party, she met her future husband, Oliver Hazard Perry Johnson, then director of the National Metropolitan Bank. The two married in 1903. Johnson and Barney, who were neighbors in Northwest D.C., became friends and sisters-in-law—Barney was married to Johnson's brother, Christian Hemmick, for nine years. In 1916, Johnson took part in Barney's production of War to Peace, a pacifist tableau, and also helped her entertain guests at Studio House, Barney's uniquely beautiful arts center, built in 1902 on Sheridan Circle in Washington.

Works by this artist (12 items)

Louis C. Rosenberg, Hospital, Santa Cruz, 1927, drypoint on paper, Smithsonian American Art Museum, Gift of De Witt Hornor, 1978.77.9
Hospital, Santa Cruz
Date1927
drypoint on paper
Not on view
Louis C. Rosenberg, Ana Sophia, Constantinople (Hagia Sophia), 1927, etching and drypoint on paper, Smithsonian American Art Museum, Gift of De Witt Hornor, 1978.77.10
Ana Sophia, Constantinople (Hagia Sophia)
Date1927
etching and drypoint on paper
Not on view
Louis C. Rosenberg, Torre del Ora, Seville, n.d., etching and drypoint on paper, Smithsonian American Art Museum, Gift of De Witt Hornor, 1978.77.7
Torre del Ora, Seville
Daten.d.
etching and drypoint on paper
Not on view
Louis C. Rosenberg, Grand Mosque, Cairouan, 1926, etching and drypoint on paper, Smithsonian American Art Museum, Gift of De Witt Hornor, 1978.77.8
Grand Mosque, Cairouan
Date1926
etching and drypoint on paper
Not on view

More Artworks from the Collection

William H. Johnson, Seated Female Nude With Black Background, ca. 1939-1940, tempera on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.219
Seated Female Nude With Black Background
Dateca. 1939-1940
tempera on paper
Not on view
William H. Johnson, Standing Female Nude with Red Hair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.186
Standing Female Nude with Red Hair
Dateca. 1939-1940
tempera on paperboard
Not on view
William H. Johnson, Bearded Man in Yellow Chair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.276
Bearded Man in Yellow Chair
Dateca. 1939-1940
tempera on paperboard
Not on view
Arnold Blanch, Harvest Scene (mural study, Fredonia, New York Post Office), ca. 1937, tempera on illustration board, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.28
Harvest Scene (mural study, Fredonia, New York Post Office)
Dateca. 1937
tempera on illustration board
Not on view