Kerteminde Hillside

William H. Johnson, Kerteminde Hillside, ca. 1930-1935, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.835
William H. Johnson, Kerteminde Hillside, ca. 1930-1935, pen and ink and pencil on paper, 14 x 18 1⁄8 in. (35.5 x 45.9 cm) irregular, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.835

Artwork Details

Title
Kerteminde Hillside
Artist
Date
ca. 1930-1935
Location
Not on view
Dimensions
14 x 18 1⁄8 in. (35.5 x 45.9 cm) irregular
Credit Line
Gift of the Harmon Foundation
Mediums
Mediums Description
pen and ink and pencil on paper
Classifications
Subjects
  • Architecture Exterior — detail — roof
  • Landscape — Denmark — Kerteminde
Object Number
1967.59.835
Linked Open Data
https://edan.si.edu/saam/id/object/1967.59.835

Works by this artist (12 items)

View all artworks
A. Mouron Cassandre, Versatility, from the Early Series, 1937, gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.60
Versatility, from the Early Series
Artist
Date1937
gouache on paperboard
Not on view
A. Mouron Cassandre, Paradox, from the Early Series, 1937, gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.56
Paradox, from the Early Series
Artist
Date1937
gouache on paperboard
Not on view
A. Mouron Cassandre, Integration, from the Early Series, 1937, gouache and scratchwork on prepared paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.54
Integration, from the Early Series
Artist
Date1937
gouache and scratchwork on prepared paper
Not on view
A. Mouron Cassandre, Mobilization, from the Early Series, 1937, gouache and scratchwork on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.55
Mobilization, from the Early Series
Artist
Date1937
gouache and scratchwork on paperboard
Not on view

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Joseph Hirsch, "The object of government is the welfare of the people. The material progress and prosperity of a nation are desirable chiefly so far as they lead to the moral and material welfare of all good citizens."--Theodore Roosevelt, the New Nationalism, 1910. From the series Great Ideas of Western Man., 1954, gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.117
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Carlos Anderson, Day's End, 1939, opaque watercolor on fiberboard, Smithsonian American Art Museum, Gift of Serene and Claire Puglisi, 1977.115
Day’s End
Artist
Date1939
opaque watercolor on fiberboard
Not on view