King Cophetua and the Beggar Maid

Albert Pinkham Ryder, King Cophetua and the Beggar Maid, by 1906 or 1907, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.99
Albert Pinkham Ryder, King Cophetua and the Beggar Maid, by 1906 or 1907, oil on canvas mounted on fiberboard, 24 1218 in. (62.245.7 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.99
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Artwork Details

Title
King Cophetua and the Beggar Maid
Date
by 1906 or 1907
Dimensions
24 1218 in. (62.245.7 cm)
Credit Line
Gift of John Gellatly
Mediums
Mediums Description
oil on canvas mounted on fiberboard
Classifications
Subjects
  • Literature — Percy — Reliques of Ancient English Poetry
  • Animal — horse
  • Occupation — other — aristocrat
  • Figure group
  • Landscape — water
Object Number
1929.6.99

Artwork Description

King Cophetua and the Beggar Maid may have been commissioned by the art collector John Gellatly, who was an enthusiastic supporter of contemporary American art around the turn of the twentieth century. Albert Pinkham Ryder worked on this painting for more than five years, and x-rays of the canvas show that it was painted over two other images. Ryder was inspired by the story of King Cophetua from an Elizabethan ballad that tells of love overcoming all odds. In the tale, a king of Africa falls in love with a beautiful young beggar maid and marries her, despite her lowly status. Ryder was a hopeless romantic and believed wholeheartedly in love at first sight. In this painting he chose the scene when the king first notices the young girl to show that people’s lives could change in just one moment. (Broun, Albert Pinkham Ryder, 1989)

Works by this artist (744 items)

William Zorach, Head of Etta Cone, 1943, cast plaster on plaster base, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.152
Head of Etta Cone
Date1943
cast plaster on plaster base
On view
William Zorach, Seated Girl (with hands under legs), 1930, cast and patinated plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1971.449.8
Seated Girl (with hands under legs)
Date1930
cast and patinated plaster
On view
William Zorach, Undaunted (Torso), 1963, cast plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1971.449.17
Undaunted (Torso)
Date1963
cast plaster
On view
William Zorach, Study for Head of Moses, ca. 1950, unfired ceramic, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.161
Study for Head of Moses
Dateca. 1950
unfired ceramic
On view