Lafayette (model for colossal statue)

Cyrus E. Dallin, Lafayette (model for colossal statue), 1889, bronze, overall: 42 1443 1815 38 in. (107.4109.639.1 cm.), Smithsonian American Art Museum, Gift of University of Pennsylvania School of Dental Medicine, Thomas W. Evans Collection, 1983.101.3
Free to use

Artwork Details

Title
Lafayette (model for colossal statue)
Founder
Thiébaut Frères
Date
1889
Dimensions
overall: 42 1443 1815 38 in. (107.4109.639.1 cm.)
Credit Line
Gift of University of Pennsylvania School of Dental Medicine, Thomas W. Evans Collection
Mediums
Mediums Description
bronze
Classifications
Subjects
  • Animal — horse
  • Occupation — military — general
  • Portrait male — Lafayette — equestrian portrait
Object Number
1983.101.3

Artwork Description

In 1889, Dr. Thomas W. Evans, a wealthy dentist living in Paris, commissioned Cyrus Dallin to create a "colossal" statue of French general Marquis de Lafayette (1757-1834) on horseback. Evans was inspired by France's gift of Frederic Bartholdi's Statue of Liberty (a model of which is on display in the main galleries) and wanted to honor the French "in gratitude for the services that Lafayette and his companions in arms rendered" in the American Revolution. Lafayette was an aristocrat who shared the ideals of French liberal intellectuals of the time. At the age of nineteen, against the strict veto of King Louis XVI, Lafayette enlisted in Washington's Continental army as a volunteer. He proved himself worthy of command, and Washington soon promoted him to major general "in consideration of his zeal, illustrious family and connexions." Lafayette later became a leader of the French Revolution and wrote his country's Declaration of Rights based on Thomas Jefferson's Declaration of Independence. Dallin wanted to portray the nobleman as a leader of his people, so he cast Lafayette on horseback, posed as if he were surveying his troops.

Works by this artist (13 items)

About Two
Daten.d.
lithograph
Not on view
John E. Dowell, Jr., Man, 1963, lithograph, Smithsonian American Art Museum, Gift of the Tamarind Lithography Workshop, Inc., 1973.81
Man
Date1963
lithograph
Not on view
Ponte
Date1970-1971
lithograph
Not on view
Louise Nevelson, Untitled, 1963, transfer lithograph on paper, Smithsonian American Art Museum, Gift of June Wayne, 1991.179.11, © 1963, Louise Nevelson
Untitled
Date1963
transfer lithograph on paper
Not on view

More Artworks from the Collection

Leif Wicklund, Sexwick Pottery, Teacup (one of five), ca. 1975, mineral colored clays with fritted lead glaze, Smithsonian American Art Museum, Museum purchase, 1975.132.2
Teacup (one of five)
Dateca. 1975
mineral colored clays with fritted lead glaze
On view
Thomas Hoadley, Bottle Vase in Gray and White, 1981, colored porcelain, Smithsonian American Art Museum, Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery, 1997.109.6
Bottle Vase in Gray and White
Date1981
colored porcelain
On view
Leif Wicklund, Teacup (one of five), ca. 1975, mineral colored clays with fritted lead glaze, Smithsonian American Art Museum, Museum purchase, 1975.132.5
Teacup (one of five)
Dateca. 1975
mineral colored clays with fritted lead glaze
On view
Leif Wicklund, Teacup (one of five), ca. 1975, mineral colored clays with fritted lead glaze, Smithsonian American Art Museum, Museum purchase, 1975.132.4
Teacup (one of five)
Dateca. 1975
mineral colored clays with fritted lead glaze
On view