Non Tucket Rib

Aaron Yakim, Non Tucket Rib, 2001, handsplit white oak, 810 128 in. (20.326.720.3 cm), Smithsonian American Art Museum, Gift of Carol and Charles Rademaker and their children, Garth and Louise, in honor of Kenneth R. Trapp, 2002.63

Artwork Details

Title
Non Tucket Rib
Artist
Date
2001
Dimensions
810 128 in. (20.326.720.3 cm)
Credit Line
Gift of Carol and Charles Rademaker and their children, Garth and Louise, in honor of Kenneth R. Trapp
Mediums
Mediums Description
handsplit white oak
Classifications
Subjects
  • Object — other — basket
Object Number
2002.63

Artwork Description

Aaron Yakim designs each basket around the properties of a particular wood, so that each piece is unique. Finding the right tree to use is, for the artist, the most important part of any basketmaking endeavor. White oak, for example, is known for the ease with which it splits, as well as its strength and flexibility. Yakim carefully selects a young white oak tree from among the many in West Virginia's hardwood forests and, using only hand tools, splits the trunk into thin, flexible strips that he can manipulate into unique forms without the use of molds. Non Tucket Rib is an Appalachian take on the handmade basket purses of Nantucket Island, Massachusetts. The title is a clever pun that both references and distances itself from the popular Nantucket creations. By replacing a single letter, the meaning of the title becomes "not Nantucket." "Rib" simply refers to the basket's curved foundation pieces. A customer specially requested this style from Yakim, who worked on the design over a number of years, making improvements and alterations along the way.

Works by this artist (3 items)

Blanche McVeigh, Triflin' Woman, n.d., aquatint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1941.6.23
Triflin’ Woman
Daten.d.
aquatint
Not on view
Blanche McVeigh, Susie Q, n.d., aquatint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1941.6.22
Susie Q
Daten.d.
aquatint
Not on view
Blanche McVeigh, Men Working on West Lancaster, n.d., etching on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.376
Men Working on West Lancaster
Daten.d.
etching on paper
Not on view

More Artworks from the Collection

Edward Sachse, Smithsonian Institute, ca. 1855, hand-colored lithograph, Smithsonian American Art Museum, Gift of Al Marzorini in honor of Harry Lowe, 2019.23
Smithsonian Institute
Dateca. 1855
hand-colored lithograph
Not on view
Marching As to War
Daten.d.
color etching
Not on view
Pharoh’s Horses
Artist
Unidentified (British)
Daten.d.
engraving
Not on view