Paris, France, from the series East Meets West

Tseng Kwong Chi, Paris, France, from the series East Meets West, 1983, printed 2008, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific  American Initiatives Pool, administered by the Smithsonian Asian Pacific  American Center, 2021.14.5, © Muna Tseng Dance Projects, Inc.
Tseng Kwong Chi, Paris, France, from the series East Meets West, 1983, printed 2008, gelatin silver print, frame: 37 14 × 37 14 in. (94.6 × 94.6 cm) image: 36 × 36 in. (91.4 × 91.4 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center, 2021.14.5, © Muna Tseng Dance Projects, Inc.

Artwork Details

Title
Paris, France, from the series East Meets West
Date
1983, printed 2008
Location
Not on view
Dimensions
frame: 37 14 × 37 14 in. (94.6 × 94.6 cm) image: 36 × 36 in. (91.4 × 91.4 cm)
Copyright
© Muna Tseng Dance Projects, Inc.
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center
Mediums Description
gelatin silver print
Classifications
Subjects
  • Cityscape — France — Paris
Object Number
2021.14.5

Artwork Description

In his signature series East Meets West, Tseng Kwong Chi created a role for himself he called the "Ambiguous Ambassador." Wearing a Mao suit (the gray uniform associated with the Chinese Communist Party) and mirrored sunglasses, he posed next to landmarks and monuments, many of them emblems of American national identity.

Tseng highlighted the signifying power of dress and posture. As an immigrant and person of Chinese descent, he was also conscious of how Asians are stereotyped in the West. His donning of the Mao suit in public was a tongue-in-cheek performance of "Chineseness" that both played to and subverted assumptions about race, culture, and nationality.

Gallery Label, 2024

Works by this artist (12 items)

Louis C. Rosenberg, Hospital, Santa Cruz, 1927, drypoint on paper, Smithsonian American Art Museum, Gift of De Witt Hornor, 1978.77.9
Hospital, Santa Cruz
Date1927
drypoint on paper
Not on view
Louis C. Rosenberg, Ana Sophia, Constantinople (Hagia Sophia), 1927, etching and drypoint on paper, Smithsonian American Art Museum, Gift of De Witt Hornor, 1978.77.10
Ana Sophia, Constantinople (Hagia Sophia)
Date1927
etching and drypoint on paper
Not on view
Louis C. Rosenberg, Torre del Ora, Seville, n.d., etching and drypoint on paper, Smithsonian American Art Museum, Gift of De Witt Hornor, 1978.77.7
Torre del Ora, Seville
Daten.d.
etching and drypoint on paper
Not on view
Louis C. Rosenberg, Grand Mosque, Cairouan, 1926, etching and drypoint on paper, Smithsonian American Art Museum, Gift of De Witt Hornor, 1978.77.8
Grand Mosque, Cairouan
Date1926
etching and drypoint on paper
Not on view

More Artworks from the Collection

William H. Johnson, Seated Female Nude With Black Background, ca. 1939-1940, tempera on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.219
Seated Female Nude With Black Background
Dateca. 1939-1940
tempera on paper
Not on view
William H. Johnson, Standing Female Nude with Red Hair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.186
Standing Female Nude with Red Hair
Dateca. 1939-1940
tempera on paperboard
Not on view
William H. Johnson, Bearded Man in Yellow Chair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.276
Bearded Man in Yellow Chair
Dateca. 1939-1940
tempera on paperboard
Not on view
Arnold Blanch, Harvest Scene (mural study, Fredonia, New York Post Office), ca. 1937, tempera on illustration board, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.28
Harvest Scene (mural study, Fredonia, New York Post Office)
Dateca. 1937
tempera on illustration board
Not on view