Paul Robeson’s Relations

William H. Johnson, Paul Robeson's Relations, ca. 1945, oil on hardboard (Masonite), Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.666
Copied William H. Johnson, Paul Robeson's Relations, ca. 1945, oil on hardboard (Masonite), 36 3828 58 in. (92.572.6 cm), Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.666

Artwork Details

Title
Paul Robeson’s Relations
Date
ca. 1945
Dimensions
36 3828 58 in. (92.572.6 cm)
Credit Line
Gift of the Harmon Foundation
Mediums
Mediums Description
oil on hardboard (Masonite)
Classifications
Keywords
  • Figure group
  • Architecture
  • Still life — other — flag
  • Performing arts — theater
  • Performing arts — music — voice
  • Portrait male — Robeson, Paul
Object Number
1967.59.666

Artwork Description

Paul Robeson's Relations was a personal painting for Johnson. He had met Robeson when the actor was in Copenhagen in 1935, and Robeson owned several of Johnson's paintings. By the time Johnson painted Paul Robeson's Relations, Robeson (1898--1976) was an international star of stage and screen. Roles as Joe in Show Boat and as the psychologically complex protagonist of The Emperor Jones had launched his career in the 1920s, but by the mid-1930s Robeson was as well-known as a Civil Rights activist as he was for his deep, resonant voice and powerful stage presence. He defied the stereotyping that pervaded movie and theater scripts by replacing demeaning lyrics with words of protest and affirmation. He changed the lines "Tote that barge, lift that bale, get a little drunk and you land in jail" from Show Boat's "Ol' Man River," for example, to "show a little grit and you land in jail." Johnson presents Robeson attired for the title role in Shakespeare's Othello and surrounded by a tiny paddle wheeler (Showboat); a baseball bat; and flags of Norway, the Soviet Union, Great Britain, and Finland that attest to his brilliant international career. 

In 1934, after traveling to the Soviet Union, Robeson said that for the first time in his life, he was treated not as "a Negro, but a human being." There, he continued, "I walk in full human dignity." His lifelong work for justice--from integrating professional baseball to opposing colonial rule in Africa--resulted in his being tracked by the FBI and black-listed during the Cold War. 

Exhibitions

Media - 1967.59.1146 - SAAM-1967.59.1146_2 - 141130
Fighters for Freedom: William H. Johnson Picturing Justice
March 8, 2024September 10, 2024
William H. Johnson's Fighters for Freedom series from the mid-1940s is a tribute to African American activists, scientists, teachers, and performers as well as international leaders working to bring peace to the world.