Peluquería/​Barber Shop (Oaxaca, Mexico), from the series Africa’s Legacy in Mexico”

Tony Gleaton, Peluquería/Barber Shop (Oaxaca, Mexico), from the series "Africa's Legacy in Mexico", 1990, printed 1994, gelatin silver print, Smithsonian American Art Museum, Museum purchase, 1994.11.2, © 1994 Tony Gleaton. Reproduction of this image requires the Artist's permission.
Tony Gleaton, Peluquería/Barber Shop (Oaxaca, Mexico), from the series "Africa's Legacy in Mexico", 1990, printed 1994, gelatin silver print, 1212 in. (30.530.5 cm), Smithsonian American Art Museum, Museum purchase, 1994.11.2, © 1994 Tony Gleaton. Reproduction of this image requires the Artist's permission.

Artwork Details

Title
Peluquería/​Barber Shop (Oaxaca, Mexico), from the series Africa’s Legacy in Mexico”
Artist
Date
1990, printed 1994
Location
Not on view
Dimensions
1212 in. (30.530.5 cm)
Copyright
© 1994 Tony Gleaton. Reproduction of this image requires the Artist's permission.
Credit Line
Museum purchase
Mediums Description
gelatin silver print
Classifications
Subjects
  • Architecture Interior — commercial — barbershop
  • Object — furniture — chair
  • Occupation — service — barber
  • Figure group — male and child
Object Number
1994.11.2

Artwork Description

Traveling the dusty back roads of the Americas by bicycle, bus, or in a converted 1972 Army ambulance, Gleaton sought out communities that bear traces of Africa’s legacy in the New World. In Mexico he made his home in isolated villages in Oaxaca and on the Costa Chica south of Acapulco and sought out a village called Nacimiento de los Negros (Birth of the Blacks); in Bolivia he lived with descendants of the African slave trade.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (50 items)

Jack Beal, Preliminary sketch for mural The History of Labor in America, The 19th Century: Industry (U. S. Department of Labor, Washington, DC), ca. 1975, brush and ink and conte crayon on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.167
Preliminary sketch for mural The History of Labor in…
Dateca. 1975
brush and ink and conte crayon on paper
Not on view
Jack Beal, Preliminary sketch for mural The History of Labor in America, The 17th Century: Colonization (U. S. Department of Labor, Washington, DC), ca. 1975, brush and ink and conte crayon on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1977.47.139
Preliminary sketch for mural The History of Labor in…
Dateca. 1975
brush and ink and conte crayon on paper
Not on view
Jack Beal, The History of Labor in America, The 19th Century: Industry (mural study, U. S. Department of Labor), 1975, pastel and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.38
The History of Labor in America, The 19th Century: Industry…
Date1975
pastel and pencil on paper
Not on view
Jack Beal, Preliminary sketch for mural The History of Labor in America, The 18th Century: Settlement (U. S. Department of Labor, Washington, DC), ca. 1975, felt-tipped pen and ink on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.166
Preliminary sketch for mural The History of Labor in…
Dateca. 1975
felt-tipped pen and ink on paper
Not on view

More Artworks from the Collection

Boris Anisfeldt, Goat, ca. 1930-1940, pencil and pastel on paper, Smithsonian American Art Museum, Gift of Mrs. Otis Chatfield-Taylor in memory of her father Boris Anisfeldt, 1982.22
Goat
Dateca. 1930-1940
pencil and pastel on paper
Not on view
Jack Beal, The History of Labor in America, The 18th Century: Settlement (mural study, U. S. Department of Labor), 1975, pastel and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.37
The History of Labor in America, The 18th Century:…
Date1975
pastel and pencil on paper
Not on view
Alice Pike Barney, Impression of Natalie, 1902, pastel on paper, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney, 1951.14.39
Impression of Natalie
Date1902
pastel on paper
Not on view
Joseph Stella, Portrait of Clara Fasano, 1944, pencil and pastel on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.32.1
Portrait of Clara Fasano
Date1944
pencil and pastel on paper
Not on view