Private Law and Order Leagues (study for medallion, Medals for Dishonor series)

David Smith, Private Law and Order Leagues (study for medallion, Medals for Dishonor series), ca. 1938-1939, felt-tipped pen and ink (from verso) and pen and ink on paper, Smithsonian American Art Museum, Museum purchase made possible by Olin Dows, 1988.60
Copied David Smith, Private Law and Order Leagues (study for medallion, Medals for Dishonor series), ca. 1938-1939, felt-tipped pen and ink (from verso) and pen and ink on paper, sight 10 3⁄4 x 13 3⁄4 in. (27.3 x 35.0 cm), Smithsonian American Art Museum, Museum purchase made possible by Olin Dows, 1988.60

Artwork Details

Title
Private Law and Order Leagues (study for medallion, Medals for Dishonor series)
Artist
Date
ca. 1938-1939
Location
Not on view
Dimensions
sight 10 3⁄4 x 13 3⁄4 in. (27.3 x 35.0 cm)
Credit Line
Museum purchase made possible by Olin Dows
Mediums
Mediums Description
felt-tipped pen and ink (from verso) and pen and ink on paper
Classifications
Subjects
  • Object — other — flag
  • Allegory — civic — injustice
  • State of being — death — execution
  • History — United States — Black History
  • Figure group
  • Study
Object Number
1988.60
Linked Open Data
https://edan.si.edu/saam/id/object/1988.60

Artwork Description

In the mid-1930s, Smith began drawings for a series of fifteen relief sculptures he called “Medals for Dishonor,” an ironic reference to the nation’s highest military decoration, the Medal of Honor. Smith believed that groups such as the Ku Klux Klan and the German-American Bund, a pro-Nazi organization, represented fascism in America. In the background of this study, KKK hats mimicking mountains surround a lynching tree, while a cross transforms into a swastika. Although a central theme of this series is women as victims of physical aggression, they do not escape indictment. With her hatchet, Carrie Nation represents the self-righteous zealotry of bigots. Strewn with references to the “wild West,” this vision portrays the horrors of vigilante justice in the guise of law and order.

Graphic Masters II: Highlights from the Smithsonian American Art Museum, 2009